ELLIE GOULDING. Hammersmith(Eventim) Apollo. 16th October 2013.

17 10 2013

 

 

I woke up at 6am yesterday morning with a pain in my head that made me want to cry. However when I cry, I get a headache. I didn’t want to disturb my girlfriend from her slumber. I took some tablets and hoped the pain would go away. I went to the sofa and slept for an hour. A bout of nausea took over. Being sick terrifies me. A migraine has never made me throw up before; until yesterday morning. I immediately thought, “I’m not well enough to go see Ellie.”

Nothing gets in the way of me and music. I napped it off, saw a pal in town and I was alright. To Hammersmith we went!

I’ve seen Ellie go from playing to 200 people to now, venues like Hammersmith Apollo. To see someone who seemed so shy on stage around 3/4 years ago to a person in complete control of their performance and crowd is just beautiful to watch. In the crowd you can see her manager and brother look on with such pride. Imagine being that proud of your best friend/family member like that. It is just a magical thing to witness.

There is no denying that Ellie has a magnetic stage presence. The second she walks on stage this insane noise erupts. It sounds like a pack of hyenas being let loose. This noise happens quite a few times throughout the night. What is beautiful about the whole thing is that there is no “typical” fan here. Everyone is of various age, race, sexuality, everything. Music is freedom, and that is pretty much reinforced here.

I was pretty sad that Under The Sheets is no longer on the set list, but watching her sing Guns And Horses with just an acoustic guitar, and having the crowd sing every word back to her was a glorious thing to witness. Her voice is evidently the strongest it has ever been, and her distinctive vocals is exactly what makes her stand out. From songs like I Know You Care to Animal you really do pick up on how strong her voice is. When she sings I Know You Care (a song about her dad) I’m immediately reserved back to that early early morning in 1995 when I was told my dad had died. A wave of numbness hits me, and to an extent watching her sing this song is like a brief hit of healing.

The set list now predominantly consists of new songs. Lights was a tame record with delicate subjects, but Halcyon although does stay with similar subjects the songs are bigger and truly come to life when Ellie and her fantastic band perform live. They all perform with everything they have, and the crowd fully get that. What is so good about seeing Ellie live is that she is so happy to be on stage. It doesn’t seem like “just another show” to her, and that’s why I’ve probably seen her six times so far. Each time has shown how much she has grown as a performer, and you sort of feel like a proud parent looking on. The way she slays the guitar on Burn at the end, the way she dances on stage and how she drums like a woman possessed is incredible to watch. To see someone put their all into what they do is always a brilliant thing to watch.

As much as I love bands that are made for dark and creepy basement bars, there is something really special about seeing someone you’ve been a fan of from the start go from small venues to places like the Hammersmith Apollo. The atmosphere was magical, and every time I see Ellie live I claim that time as being the best show I’ve seen of her’s. This was the first time I’ve seen a London crowd actually move, all too often they seem afraid to move and sing along; this show was the complete opposite. Also, her backing singers unleashed some excellent moves last night and of course putting the Bassnectar remix in the middle of Lights is always going to be a highlight. The drop is amazing. Ellie Goulding is someone who everyone needs to see live..once or even six times!

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