About two weeks or so ago Willis Earl Beal wrote something so important regarding music writers and how certain publications rating systems and the like are fucked, how they force feed readers to like what they like and expect them to hate them when they turn their back on them. What I’ve noticed is too many music writers are passionate about hating a band rather than praising one they love. It made me think about review records and if there’s really any point. I don’t review something in the hopes someone agrees with me, I do it because I hope someone goes and buys the record regardless of what I write. I could never ever write about a band or singer I didn’t like. I’ve been told by some place I was going to write for- they told me they never gave full marks for a review so I wasn’t allowed to praise something I loved too much. I pride myself on having better morals than being a semi-decent writer. Needless to say, I didn’t write for them. Which is probably why I’ll never make a living out of this. You accept it after nearly 10 years. So, with all of this said I’m going to write about why Pop.1280 have yet again released another mind-bending and mind-blowing record. I know of one other person who digs this band as much as I do(my uncle.)
Pop.1280 make music that is hard to stomach at times. When I first heard them I had this feeling that they would become something of an obsession. I loved how loud and frightening their sound was- and still is. Decades ago, kids used Punk to piss off their folks. I sincerely hope some kid is out there blasting out these guys to piss theirs off, and their neighbours. The thing that I love the most about Pop.1280 is that with every release, they get a little more terrifying. This is the kind of music you play when you want to scare someone shitless. Personally, I’d be tempted to use their music to try use it in a more romantic setting. Their music sounds like falling in love anyway- tormenting and chaotic. Have I been doing it wrong? No. My mind and god knows what else is wired differently. Paradise sounds like a nightmare, probably, to those who’ve never delved into this murky world that Pop.1280 have been building for years. It’s a world that makes you shudder, ache and think. Paradise just reinforces my love for them and if anything, has got me pretty excited for their London show in a few weeks.
9 songs in 39 minutes. 9 songs that are set to fry your brain, make your eyes go funny and make you question your surroundings. Something I’ve admired for some time about Pop.1280 is their ability to make you feel as if you’re trapped. Trapped in the hell of your own mind, in the midst of others- anywhere. They create this atmosphere that makes you feel as if you’re the last person left on Earth and everyone else has disappeared. It’s creepy. Really fucking creepy, and it isn’t for people who dream of sunshine and rainbows. I don’t know what kind of person latches onto a band like this. I have, and I guess you can draw up your own conclusion about it. I initially started writing about this record last week, but I stopped myself from writing because I realised quite quickly that this isn’t a record you casually listen to. I’ve taken it in. Or maybe this record has taken me in, chewed me up and spat me out. Do what you want, Pop.1280. This sinister feel to the record (and like their previous ones) has got me ready to see them live in a few weeks. I’ve never seen them before, and I’m really hoping it sounds equally terrifying live.
Phantom Freighter is the second track on the record, and in some ways it sounds like someone losing their mind. In general, Pop.1280 seem to capture the sound of madness really well. Phantom Freighter is a tension-filled track that makes your heart beat quicker than it probably should. It keeps you on edge, and I think that’s pretty much a solid for Pop.1280’s music overall.
Paradise will make you delve into some dark and lonesome emotions, and that’s perfectly fine. You shouldn’t always feel comfortable or secure when listening to music. Nobody should want predictable. For me, the fact that a band like Pop.1280 exist and can still make people feel a little uneasy like The Birthday Party did gives me hope. Not sure what kind of hope, mind. I’m pretty sure Paradise justifies why Pop.1280 are one of the best bands on Sacred Bones (pretty much all bands/musicians on that label are great) but it also shows why they are one of the best bands around. They’ve still got that raw and unpredictable sound that was on The Horror and Imps Of Perversion, and I think it is something that they will always be able to really put into their sound.
Sometimes you don’t need the news or a horror film to scare you shitless- just listen to Pop.1280 if you want some kind of kick.