“Between the cities, between the thrills. There’s something inside you, it doesn’t sleep well.”

22 12 2016

serenity-now_3_approved

“It won’t last forever
Or maybe it will.”

 

A few months ago I went to the doctor because I felt like shit. Shit is the only word I can use, I guess. Although I don’t think it covers it. I told him everything I felt and he said “depression and anxiety.” You can’t even make it sound good. You know, at least if you have a cold your voice gets a bit husky and suddenly people want you to talk more. But anxiety and depression? You might as well say you’ve got something not mentioning. For me, I’m conflicted. Part of me is sort of glad I know what’s wrong with me but the other part wants it gone. I’ve been told it gets better but right now, no part of me sees that. I have more bad days than good.

Last Friday I had 5 panic attacks in under 2 and a bit hours. I’d have much preferred someone to have punched me in the face for 2 hours. It would have hurt less. The aftermath of a panic attack for me is equally as bad as having one. I get a migraine straight away but with a normal migraine, the  pain is less tense and the nausea that comes with it I can sort of tame. After a panic attack, the migraine just doesn’t go. It’s a constant stabbing sensation in my head and the feeling of being sick stays. It’s debilitating and exhausting.
The thing with depression and anxiety is that no one sees it. No one can see someone is mentally unwell. They don’t see someone who has to set an alarm half an hour before they need to be up so they actually get up and go to work. They don’t see how everyday small things can set a person off. And that’s okay. Imagine if we could see it. It would be useful but as someone who hates any form of attention, I’d probably be worse. Most days I just want to stay in bed. I don’t want to see or speak to anyone. It used to be passed off by others as me being “difficult” or “unsociable.” I’m neither of these things. Although sometimes you do just want to tell people to piss off don’t you. But I think that’s just human nature.
There are parts of you that feel, “what if no one believes me?” I’m stuck with that constantly. I feel because I can force a smile at times and laugh- maybe I don’t have these things. Maybe it’s not real. It comes and goes. I don’t always feel shit, but I do and I think that’s okay. I’ve learnt to try find a safe space wherever I am. As I live in a stupidly big city, it’s hard to find any form of peace. For me, the gym is my safe space. I used to go because I hated being fat and hated my body. I still do, but now it’s to keep my mind clear as best as I can. Going to gigs used to be my safety net but the last gig I went to, I had a panic attack and had to leave. This was a month ago and since, I’ve missed a handful of gigs because I can’t set my mind free.
Like some, music is my safety net. Certain bands/singers voices and music take away how overbearing and how overwhelming this feeling is. Certain bands have become my safety net, my safe space for when I can’t physically get somewhere.
From the rowdiness of Melvins to the calming sounds of Beach House, certain songs take whatever is happening away. But not all the time. Sometimes it’s just no use- and that’s okay.
I’ve chosen a couple of songs that have been vital in calming me down and being my crutch whenever I’ve needed. The songs that store my sanity but as yet, don’t have the power to keep everything at bay. But that’s fine. I’ve experienced understanding and a lack of understanding through all this. I’ve started CBT and apparently that will work. As someone who has a dislike for things like that, it’s tough. My mind is open. Ironically, I had 2 panic attacks whilst on my way to my first session so that was a great experience. Maybe it will help, maybe it won’t. I don’t know- nobody does. And that’s okay.
Anyway, enough of the self-indulgent bullshit. Have some songs:

 

 

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GARBAGE:Strange Little Birds.

11 06 2016

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“Every broken thing can’t be fixed.
And all those fragile things we are,
They find their voice, they find their power.”

Some feelings we have can be replicated by others things, and other people. In a way I guess that can make us question the legitimacy of it- but that depends on the feeling and who/what made you first feel it. Feelings are hard to wrap our heads and hearts around, and like most, I use music as some kind of means to get into whatever is going on. It, for the most part helps. But there’s one feeling that can only come from one thing in particular. I’ll never feel it from anyone else. That feeling is when your favourite band, the band that dragged you through hell and back for over 20 years come back with a new record. Each Garbage record has matched a point in my life where only their music would do. Only their music would be the thing that got me through. I’m aware I sound like an oversensitive idiot- but I’m trying to state the importance of them, but do I really need to? They’ve been around for over 20 years and they’re still here, so that speaks more than my words ever could. Yesterday Strange Little Birds came out, and yet again, they’ve managed to make a record that fits comfortingly into what’s going on inside. I’ve read a few reviews where they have said that Strange Little Birds sounds a bit like their first record, but to be honest, it could be a really loud Acid House record and I’d still love it- because it’s them. I’m an unconditional fan for life.

Sometimes: A song that oozes destruction is always the perfect way to start a record. It starts with an intense piano intro which is followed by what resembles a rumble of thunder. Then Shirley’s voice kicks in and the words hit hard. It is such a haunting and dark song, and in a way that’s been what I’ve clung onto- Shirley isn’t afraid to speak of insecurities and ugly feelings we are always told to cast aside. There are many ways in which this band are my absolute heroes/heroine, and it’s their honesty that does it. I challenge anyone to not relate to: “Sometimes I feel like I vanished in thin air.
Sometimes I feel I’m not here.”

Empty: Firstly, please play this as loud as you can and secondly, this is the one that captures their first record in 2016. Like a lot of Garbage fans, their first record changed my life. I was just approaching 10 years of age, my dad wasn’t doing so good (he died a few weeks after their first record came out, and I saved up for a tape copy of it with my pocket money) and this record, as young as I was became everything to me. As I got older, I related to the songs more. And to hear something that takes me back 21 years is messing with my head big time but you carry on, you have to. What I get from Empty is being able to not relate to everyone who has to pour their lives on to social media in order to seek validation of others. Maybe they are the ones that are empty. We all are in a way, there’s always something missing. I think the lyric I love the most is this: “So I work at staying patient. Good things come to those that wait, or so they say.” However, I’m not entirely sure what I’m waiting for.

Blackout: The bass on this is one of the best moments for me on the record. It’s got this deep, swirling sound which is like Warpaint meets The Cure. It’s dark, intense and spins you off into a dream. With it being over 6 minutes long, it’s just bloody ideal. It’s an intense ride that feels like a telling off to the self. It’s the perfect way to get back at anyone or anything that’s pissed you off. I guess with how Shirley sings this and the gorgeous menacing lyrics will make some link this to the likes of Stupid Girl. I see it, I really do but the sound on Blackout is so big and so powerful, you in a way, forget all that’s come before Strange Little Birds. What I’m getting from this record so far is that Garbage don’t sound completely like a band who have been around for 2 decades here, they sound like a brand new band who are here to show us how it is done. They’ve got more power, bite and determination than a lot of newer bands, and that alone just deepens my love for them. I love the sheer attitude in this song that comes out from all of them. Perfect.

If I Lost You: This song is painfully open and hugely vulnerable. That’s what drew me towards Garbage years and years ago. The openness and carefree honesty always touched me. Maybe it’s for the good or bad that I’ve never been jealous of the person I’ve been in a relationship with, but the lyrics to If I Lost You are so easy to relate to, you imagine going through it. Or, you can imagine how the other person feels. I’m swaying towards the latter and it brings out a change of ways. I just think this is line is one of the most powerful on the record: “Are you so strong, or is the weakness in me?” We’ve all felt that way- friendship, relationship, all felt it.

Night Drive Loneliness: I love songs that give off a feeling that you can only get when you listen to them at a certain part of the day/night. There are a few bands I love that I can only listen to at night time because of the mood they create. I’ve never really felt that way with Garbage until now. Night Drive Loneliness would probably sound better if I could drive and if it was dark out. Instead, I’m at my desk in my room at 2:15pm and it’s raining. Again. Maybe that’s my version of a night drive. This is my escape. I love how this song captures the desire to escape everything and everyone so beautifully. A feeling that doesn’t always leave, and I think if we didn’t want to escape every now and then we’d have robotic tendencies and be blank humans. Or maybe you can go the other way with this song. Maybe it’s feeling lonely when surrounded by a load of people. Maybe it’s a touch of both. Take it however you want, and make it your own.

Even Though Our Love Is Doomed: This one hits close to the bone for many reasons. Maybe all love is doomed to an extent, but me personally, I’d rather go towards something that could be doomed than not have every single part of me challenged. Basically, love should feel like a Nick Cave song. Even Though Our Love Is Doomed is such a beautiful reassurance that, even though some of us have difficulty with it- we can still love, and it can be warped and twisted but it’s still love. We all find someone who makes us feel this way and you can’t rush it. Maybe you’ll find it now, maybe you already have or maybe it’ll just take time. This vulnerable kind of love is the kind that is good for the soul. The last minute and a half of the song has this huge build up that evokes SUCH urgency. It’s one of the most important Garbage songs ever. Cling tightly onto this one.

Magnetized: Unlike the song before, this one is not a love song of sorts. It’s a lust song. It’s about being hooked on someone without the falling in love part. We’ve all been there. It’s about 2 souls clashing who are polar opposites and sometimes it works out. Maybe love develops but with this one, just being hypnotised by the person is a safer bet than falling in love. Such a simple line, but I adore this: “Get so close that it hurts.” Sometimes you just have to let something like this in and let it hurt you. Go into the unknown and just see what happens. Life would be a bore, a dull ache if we didn’t step into the unknown every so often.

We Never Tell: The heavens have now opened in London, and I can’t think of a better record to play as the rain falls harder and harder. I just went to check on my housemate’s cat to make sure she’s okay. She’s gently napping, so I gave her a kiss on the head. This means nothing to the outsider, but show affection where and when you can. We Never Tell is a great song and I love the lyrics. I really love the line: “We’re on the outside always looking in. You don’t trust humans and I feel the same.” I would take the trust of animals over people any day, and when you find people who get that- that’s when you know. Mutual understanding goes a hell of a long way, especially as people seem to be getting colder. Hey I can’t look after myself but I’m pretty sure I could look after a dog, no problem. We Never Tell is a great “fuck you” to those you want to prove wrong or to those you want to shut up.

So We Can Stay Alive: Gentle vocals but aggressive lyrics and ferocious guitar courtesy of Duke. This is one of the angsty songs I’ve heard in a long time. Sometimes you just need something to bring out that dormant rage that others beg you to tone down. Don’t let nobody in this world make you tone down whatever you feel. Don’t let anyone try tame or change you. Speak up don’t shut up. Call the fuckers out on what they’re doing wrong. I love how rowdy this song is, in all the right places. The guitar kicks in to back up Shirley’s gentle voice. But that gentle voice is unleashing a fury that will make you run. But you better listen up, chump! You can try break a person but they will eventually get their own back when you least expect it. The weak can find strength, in time. In their own time, they get there.

Teaching Little Fingers To Play: I’m trying my best to not make any references to old songs, but for me this sounds like the aftermath of Medication. Of course that self-destructive feeling stays but then something kicks in and you realise you’ve got to do certain things on your own. For me, Teaching Little Fingers To Play has that same fragility as Medication but without wanting to destroy oneself. Instead, this focuses on being able to pick oneself back together again without anyone around. We’re always told we need to have others around to fix us, but sometimes you can do certain things on your own. You can get tough in your own way. This is less co-dependant and more dependent on nobody but yourself. It’s a kick up the arse, in a way. “Nothing ever stays the same.
Youth and beauty don’t remain.”
Gorgeously accurate.

Amends: The last one on the record, sadly. Just play it again. That’s all you can do. A wave of sadness always hits when you reach the end of a record. Me being utterly sentimental, it does bring on a hint of sadness. You don’t want it to end. You want that first moment you listened to keep coming back. Over and over. But fortunately, I get that feeling every time I listen to Garbage. Amends is a beautiful song that deals with any kind of loss you’ve had with a friend, lover, whatever. Sometimes we forgive, sometimes we forget, sometimes we physically cannot do either. The hurt and rawness of being hurt in this song is very close to the bone and my god, you feel the hurt. There’s a part in the song that sums up perfectly how anyone has ever felt. It’s not a nice way to feel, but we’ve all been there: “There is nothing you could say to cause more hurt, or cause me shame. Than all the things that I have thought about myself.”  We are all capable of hurting ourselves more than we can hurt another person, and sometimes it easier to break our own hearts than someone else’s. There’s this dignified rage in this song that is so eloquently put together, and you know what? It’s the perfect ending to the record because it feels like healing. With a lot of their records, the last song on each one does feel like healing. They’ve done it all over again here with Amends.

On Monday I’m seeing them again at the Troxy which is about half hour from my house (thankfully.) It’s one of my favourite venues. There’s still some tickets left. Garbage are the band that have helped in some way make me alright with whoever it is I am. I keep a handful of uncertainty because I’ll never be fully settled with it. If it wasn’t them, I wouldn’t have this inner toughness that I reserve for certain things. Certain things I thought would ruin me in some way. Certain things that make me get a little braver each time. The got me through the pains and torment of school and the uneasy ride of adulthood. There will never ever be a time where I don’t turn to their music for some form of comfort and for that I am truly, truly grateful and forever in debt to them.





GARBAGE. O2 Brixton Academy. 8th November 2015.

9 11 2015

For some reason I never thought I would see my favourite band of all time live. I thought after the tour in 2004 that I had tickets for was cancelled, I wouldn’t have the chance again. Time wasn’t on my side and any dates announced after I couldn’t make. Would I really never see the songs that saved my life in the flesh? Would I never get the chance to see the band that gave me hope when I was a miserable teenager with no clear way out?

It happened. It finally happened. This evening I finally got to see Garbage live and it was everything I hoped it would be. I was stood downstairs in the midst of it all. And in the seating area was a friend from secondary school who loves them as much as I do. To know she was up there watching made the gig mean more. Two kids from a small island in the middle of south London watching the best band in the world.
The gig was a celebration of 20 years since the release of their debut record. I was about 9 years old when it came out. The video to Vow gripped me. I was old before my years. My father had just died and I was dealing with it however a kid is meant to. For me it was music, and that set in stone how I was to face daily life-through music.
The band walked on stage and I, like a wuss, cried. I cried because it was finally happening. I cried because everything that had happened in the lead up to this started to slip away. I’ll never be tough but I can work on being brave. That’s what Garbage’s music means to me and has taught me. Shirley Manson has ALWAYS been such a huge part in my life. Through knowing someone dealt with life in an unconventional way like I did when I was a teenager to making it to adulthood with a few scraps along the way. I made it, they made it. We all made it.
The anniversary shows consist of songs from the debut record and the gorgeous b-sides that came along for the ride also. Last week I watched in awe Patti Smith rip apart the Roundhouse. On the other side of the river I watched my other heroes do the same. From Shirley forgetting to put her underwear on to the euphoria that erupted as they tore into Only Happy When It Rains. It was such a beautiful sight and such a great thing to be part of.
Garbage welcome anyone and their music speaks to so many. They found me when I was lost, and to this day they continue to do so. I have my good days and I have my bad days, but one thing that’s always constant is this bands ability to drag me through hell and back.
As I looked on, I felt glad that I went the right way and ended up here. I finally got to see the band that own every inch of my heart and soul in the flesh. I’ll never see the Velvet Underground but Garbage created my love for music, the rest just followed. In some respects I was catapulted back to my teenage years but it felt like a blur and it was over far too quickly. In the best way possible, this was the most emotionally draining gig I’d ever been to. I guess it is because I had been waiting for so long and it got to the point where it just became this blur in my mind. But I’ll cling onto everything I witnessed and felt.
You don’t forget the songs that saved your life, the first band you fell in love with or things like that. Those things stick with you because they are what spurs you on and drags you along. I felt like I was watching Garbage 20 years ago. I felt like I was watching them back in 95/96, I didn’t feel like I was watching a band who have been around for so long. That’s what made it great and it felt like home.
Every generation needs a voice, a person who stands up and tells those in the wrong to fuck off. I regard Shirley as highly as Patti Smith. She stalks the stage like a majestic panther, pacing up and down. With her candy floss pink hair flowing around as she runs around the stage with determination and power.  Creating shadow boxing like moves on the stage. The stage is her ring. She’s a fucking fighter and that’s why she’s on another level compared to most. The band sound stronger than most bands I’ve seen, and they make you feel like you’re watching a new band rather than one that’s been around for some time.  It just adds to the reasons as to why they’re the best.
This obviously isn’t a typical review, and if you want something that will tell you what they wore etc you won’t find it here.  Live music has this ability to bring something out of you that nothing else and no one else can. I guess you could call Garbage superheroes. They’re my heroes and have been for the past 20 years. It was emotionally draining to experience but it was for the greater good. Even writing it feels exhausting, but I think the show was a body of inspiration. I’ll probably never feel like this again seeing any other band, but that’s okay. I love a lot of bands, but none hold such weight in my heart like Garbage do. I probably sound like an overly sensitive mess, and maybe that’s what I am. But this band kept me going when nothing else did. They sometimes still do. You can feel this at any age, and as I get older I start to feel less ashamed about how I feel about things or how certain things make me feel.
This gig will stay with me a hell of a long time, and much like the music, perhaps it will serve as a crutch.
If by some weird bout of fate the band see this, thank you and I love you.




1995.

4 09 2015

The thing with music is that it can launch you right back to a place that you either want to forget or stay. You’ll never win. I’m not one for using this as a means to express private feelings, as that is what they are, I’ll turn this around as an appreciation of 1995 rather than me being confused to fuck as to how I’m meant to feel today as it is 20 years since my dad died. I didn’t have any relationship really with him, but you don’t need to know and I don’t need to spill. As I’ve gone through and found some real delights that came out in 1995. I think most of it was just pure pop toss, but let’s be honest- there’s nothing better than 90s Mariah Carey. I realised also, that my love for Garbage has been alive and well for 20 years so you know, 1995 wasn’t totally shit. I won’t really write about the songs, I think the ones I’ve chosen speak for themselves.

So here you are, my 10 favourite songs from 1995:

I am fully aware that there are some wonderful dance/pop songs I have missed. Including Rhythm Of The Night..I know. I know.





GARBAGE-Beloved Freak.

29 09 2013

 

 

There are musicians who, even though you’ve never met them and may never meet them, sometimes feel like the closest person to you. You feel close to them because they tell your story better than you could. You’ve tried many times to unravel every feeling and everything that goes on in your head. For the most part, it is pointless. Things don’t always need a meaning but things need truth. Voices do need to be heard, and when our own isn’t loud enough there is always someone else who has the guts to be our voice. To be louder and be as brave as we wish we were.

I’ve always had a small yet solid number of musicians that have been my voice and that ounce of hope I needed to get through most things. They are the musicians I wish I was as tough as, but I’ll never be tough. I may look as if I am pissed off most of the time but I’m not. Although I dislike the current state of the world, it’s never anything that personal. I’m grumpy but only because I’m getting older. I dislike a lot of things, and it is easier to vocalise them. If you talk about the things you love, it is  easier for people to mock your interests. But you know what? Fuck them. No, not literally. No thanks. Grubby bastards. Courage crept up on me late in life. It smacked me in the face a few years ago. I’ll stand up for anyone but myself. I was once hit in the face for standing up to some racist prick. It wasn’t a hit that was painful. Maybe because I was proud of myself for speaking up. I do have a point, but I know no one is reading much further. Which means I can write what I want. Be free with your words.

When Not Your Kind Of People came out last year, I went directly to the last track on the record; Beloved Freak. I somehow had a gut feeling that this song would be one of those Garbage songs that fellow Garbage lovers would turn to when everything was ugly. I knew immediately it would have the same meaning to me that The Trick Is To Keep Breathing would have to me. The Trick Is To Keep Breathing dragged me through my teenage years, and partly through adulthood. I’m nearly 27; I don’t have it right and I know I never will. I don’t think any adult ever truly has it sussed out. You just make do and carry on, because the alternative is..well, I’m not sure.

I played Beloved Freak and cried. What a surprise!

For as long as I’ve been a fan of Garbage (since the start) their songs have meant more to me than I can put into words, songs like Beloved Freak just sum up exactly why I love them and why they saved this lost soul. I’ve watched various live clips of Beloved Freak and I’ve seen Shirley choke up towards the end as she sings. The power she has with her words is just beautiful. She doesn’t need to write lyrics that are made up of ridiculous metaphors to make her point. She goes right to the core of the emotion and executes it in such an honest way that most wish to shy away from. Everyone has their own struggle to overcome on a daily basis, and I firmly believe that music is one of the very few things that make life a little bit easier.

“You’re not certain when you feel.
Hurt get violent when you deal
With how the world drags you along
You’re not alone.”

Maybe I’d have been braver if this song existed when I was a teenager, but as an adult listening to this, it makes every emotion feel less ugly and less of a chore to carry around.

The thing about Shirley’s words is that you KNOW she means every single one of them. When she sings songs about despair and self-hate, you know she has felt that way herself. That is what makes her words more powerful than I can get my head around at times. Beloved Freak feels like, to me, her way of telling the person who is listening to the song that in the end, you’ll get to a point where everything is alright. It may never make sense, but you’ll get there. It’s like she’s placed her hand in yours as you drag yourself through each day. There will come a time where you won’t be dragging yourself no more; instead you’ll be walking with your head high.

There are many parts in this song that have come to mean the world to me, for reasons I don’t think need explaining. Shirley’s lyrics have always been obvious for me. Much like Morrissey. You know exactly what they mean and you connect straight away. When a singer/band isn’t afraid to be so open with their music, you know you’ve found something you will have a connection with for the rest of time. The other day I thought about what it would be like if I never was a fan of Garbage. Would I harbor certain feelings forever with no clue as to how I face them? I have no idea, but for the better, Garbage helped me grow up and adjust. I’ll always feel slightly awkward in the skin I’m in. I’ll never fully like myself, but I don’t let that define everything I do and the person I am. If I was happy with myself, I wouldn’t work hard towards anything. Carrying some self-doubt helps.

Beloved Freak isn’t just a song to me. It’s something I turn to when that sinking feeling kicks in. It isn’t as frequent as it once was. I always mention that I love bands/singers that are really open with their words, and I guess that is why I write like this. Maybe it makes me a total prick, I have no idea. But music is my life, and with songs like Beloved Freak- I couldn’t and wouldn’t have it any other way.

“People lie and people steal.
They misinterpret how you feel.
And so we doubt and we conceal.
You’re not alone.”

People will always make you feel as if what bothers you is insignificant or that you’re dumb for having such feelings. Let them waste their time on being foolish, you just carry on. They’re not worth the thought. We learn to hide how we feel in order to keep a sense of normality around us, but let it be known that nothing is normal. Morrissey taught me that. And he’s utterly right.

Bands like Garbage are there for you to no longer hide anymore. Everyone is different, and how you cope with life is how YOU cope with it. People will judge, but you have to go with what you feel is right in your heart. These are just a small fraction of what Shirley Manson’s words have taught me.

“This little light of mine,
I’m going to let it shine.”

Music is my light. Be a beloved freak. Don’t let the fuckers push you around and don’t let anyone ever tell you how you should be x





“I was dreaming in my dreaming, of an aspect bright and fair. And my sleeping it was broken, but my dream it lingered near.”

7 05 2013

I wandered around Soho on Friday afternoon to find a record shop. This record shop has had every single record I’ve ever wished to own. I’ve only ever been in with a friend (she knows the way round and when with another person in a record shop, I do not spend as long in there.) So I wandered around for what seemed forever. I knew I was lost, and I loved every minute of it. I didn’t care that I didn’t know where I was because I knew I’d eventually stumble upon this record shop. I found it eventually. I had to walk up that sex alley to get there. I kept my eyes on the ground for a bit, then realised I was amongst curious tourists who were falling in and out of the shops selling various (and probably questionable) things. I didn’t care, I just wanted to find this record shop.

I walked in and went towards the 7″ singles. For some reason I’ve recently started buying more of these than I have of LPs. Maybe it’s because I now have Psychocandy on record so I no longer seek out looking for much (if I tell myself this then my addiction to buying records will seem less of a problem.) I’ve found a few gems on 7″ from The Walker Brothers to The Shangri-Las. Somehow when you see they are only 50p, you pile the records into your arms like a greedy swine at an all you can eat buffet. I’ll take music over food any day. Even though I’m chubby; I can survive without food but not music.

I must have been in the shop for close to an hour and a half. I realised I had friends to meet. I also realised I forgot the way to Tottenham Court Road station. I went for the fool-proof route: GO THE WAY YOU CAME. Always. If I wasn’t in a hurry, I’d have tried to discover shortcuts and new places to ramble. I was sensible, but the hour and a half I spent in the shop I was anything but. I found Safe As Milk for the extremely pricey £25. I did some maths in my head (never a good sign) and I had about 3 in my hand that came to under £20 but I was desperate for this Captain Beefheart record. I was painfully sensible. I put it back so I could afford to buy my girlfriend and I dinner later on. I’m pretty sure she wouldn’t approve of me buying her dinner and I declined anything for myself as I had bought a record. Being sensible is never fun, but sometimes you must do it.

In the end I bought a 7″ of The Jesus And Mary Chain and also a copy of their third record, Automatic. I’ve not played it yet but I’m sure I’ll be doing so soon. TJAMC have become the most important band in my life. They went from being a dormant love to a dominating passion that is uncontrollable. I don’t wish to control it nor do I ever want to tame my love for music.

Something else also happened on that Friday.

I was sat in a pub with a group of people I really cannot be without or be away from.  Turns out that this pain of being away from them is soon to pass as I’m going to FINALLY move to London in about a month. I own nothing and I have nothing so I will want for nothing (except for a job of course.) States of bliss occur in small things. From finding records you’ve been searching for to being in the company of those you love beyond words. Everything felt alright on that Friday. Even when Amy and I got on the tube leaving James behind, only to find we got on the wrong tube and had to pull him off the tube he got on after us so we could get on the right one together. You find happiness in the things and people that matter. Happiness is not going to be found in the form of money. It is in time, in places and in people.

I played Psychocandy on my record player the other day. I stared at the splattered vinyl (the one from Record Store Day) and was just in awe of everything that was happening. The sound was beautiful and the artwork was stunning.

There was no real point in this, but I learnt one thing from typing this up- it is incredibly annoying and a bit difficult to type this when attached to a blood pressure monitoring machine/contraption. More than anything though, it is massively distracting. And with that, I am going to listen to the new Dirty Beaches record(s).

 





Garbage & Marissa Paternoster-Because The Night.

24 03 2013

 

Yes I dislike covers, but only when they are done in a mundane fashion. If you’re going to take someone elses work, then please do something to change it slightly. Add something to it. I don’t know what, but blow people’s minds. You have the power to do so, so you should.

So, with my dislike for covers those that are familiar with the best day of the year, RECORD STORE DAY will be aware of some of the releases that are coming out. I’ve got my eyes (and hopefully hands) on The Horrors/Toys split release. Looks good. However, there’s one in particular that got my attention more than others.

Patti Smith is my ultimate idol, closely followed by Shirley Manson. Basically, I have a thing for women who aren’t afraid to speak up and use their voices for the greater good. Oh, and they also make insanely beautiful music. No days have gone by where I haven’t listened to Garbage or Patti Smith. I just have to. That’s all there is to it.

Most are familiar with Patti’s cover of Bruce Springsteen’s Because The Night. Probably the best love song of all time? Oh go on then. Some have covered it and butchered it. There was a truly awful dance version of it some time ago. I wanted to do a Van Gogh; it was that bad. Then you have some who cover it and bring back the beauty and purity in it. They nail it. They bring it back to perfection.

Record Store Day sees the release of Garbage and Marissa Paternoster’s (Screaming Females. Listen to them. They are a brilliant rock band) cover of Because The Night. The live clips I have seen are out of this world. But my favourite has to be from Garbage’s show in New York at Terminal 5 from this Friday just gone.

Marissa is THE best guitarist around right now. No doubt about it. She has such a distinctive voice that goes so well with Shirley’s. You can see why both bands have come together to do this release. They just work so well together. One can only hope they do more.

When your hero covers a song by one of your heroes and makes it just as beautiful, it makes you proud. Makes you proud to not just a music lover, but proud to love both bands. Everything about their cover is all kinds of wonderful. The way Shirl and Marissa look at each whilst singing this is gorgeous. You can see how Shirl has taken Marissa under her wig, and in time will probably be just as empowering as her. She’s probably already there to be honest.

Anyway, go to your local record store on Record Store Day (20th April) and buy this. Buy some others too. Support your local record store, always.