METRO VERLAINE: Band On The Wall 11/05/2018.

16 05 2018

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On Friday evening, my girlfriend and I went to see one of the best bands from France. In fact, they are probably one of the best bands I have ever seen. Metro Verlaine make music for the dark romantics, music for those who love the eerie side of music. When you see them play, you will immediately be drawn in and hooked forever. A 30 minute set wasn’t enough, and quite frankly- they should have played for another hour!

Metro Verlaine consist of four band members, but during live shows they have my generation’s greatest guitarist- Charlie Rowell (from Crocodiles) who has produced their debut record, Cut-Up. The record is nothing short of phenomenal and brings together everything I love about music. There are resemblances to The Cure and Joy Division. They are definitely influenced by English bands that posses a dark sound but they make it their own.

Raphaëlle  is easily one of the best singers you will ever see. She has such a powerful and amazing voice. She made us feel like we weren’t in a tiny room, she made us feel as if we were in a stadium or in a cathedral. She has such a grand voice, and although you get hints of it on record- it really gets you in the gut during their live shows.

I absolutely adored how the drummer doesn’t use a full kit (think Bobby G when he was in The Jesus And Mary Chain) but makes this incredible noise regardless. He’s louder than most, and I loved that so much. Something that is worth paying attention to with Metro Verlaine is just how effortlessly together they are and how in tune they are with each other. I’m not sure how long they have known each other prior to starting the band, but when you watch them on stage you pick up on this incredible bond. Most of the time they don’t need to say anything to each other, a simple look says it all. Sure I hate the word but the band are just so cool. Maybe it’s because they are French and they have this class to their sound and style that makes you wish you were like them. If I could sing, I’d want the power and range that Raphaëlle possess. I sincerely hope she becomes someone who singers to come cite her as an influence because she’s truly something else. She dances on stage so freely and takes that deep into the crowd. All you can do is watch on in awe.

Cut-Up is a mighty fine record and to hear these songs in a live setting makes you appreciate the record even more. Of course they are criminally underrated, but in time they’ll probably take over the world. They’ve already taken over mine.

Something I really loved about them is their love for Manchester. They are vocal about this and their song, Manchester is a beautiful ode to the greatest city in the world. Everyone on stage plays such a vital role in making the crowd move, each of them leave you wishing you were as cool as them. The only downside was the venue cutting their set way too short. They played for just under half an hour; they could have easily headlined and/or played for another hour or so. Even if they didn’t have enough songs to play for hours, I’d be happy to hear it all on repeat.

Metro Verlaine are the coolest band you’ll hear. They make music to get lost in, and to also find parts of yourself in. Sure you may not understand what they are singing about at times, but who cares?! The music and vocals are enough to keep you hooked for eternity.

VIVA METRO VERLAINE! JE T’AIME!

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LEATHER PARTY: Tired Ize (EP)

24 04 2018

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I am proud to finally call Manchester home (I’ve been here a month already, I know) and one thing in particular that I adore about this beautiful city is the music scene. There are so many bands to discover, venue floors to stick to and record shops to blow your wages in. There’s a new-ish band in town that I have to write about. If you’ve heard of Brown Brogues then you’ll probably be aware of the genius that is Mark Vernon. He’s had other projects such as Machiine, Peace And Love Barbershop Muhammad Ali, has toured with The Underground Youth and is now giving us the effortlessly sleazy and cool; Leather Party.

The full EP was launched into the world via bandcamp a few days ago but if you follow the band page on Facebook, you’ll have seen that Mark has accompanied the songs with a short story. I’ve read the stories and now I’m taking the stories away from the music to write about it. I’ll put a link at the end, as the best way to listen to this record is to read the stories with the music playing. Then listen to the record in full with no distractions.

Mean Like A Snake (which was a PALBMA song) has been re-worked sort of. It gives a different meaning to the song, and it really makes it sound quite sinister. The brilliant thing about Mark is that his vocals more often than not sound really smutty and decadent. I described Brown Brogues as that a few years ago, and I just love the way in which Mark does it. He’s massively underrated as a musician and as a song-writer. I just think the amount of work he puts into his music is admirable, and makes him definitely stand out.

Something I really love about this record is that it has the uneasiness of Lou Reed’s Metal Machine Music. The songs will make you feel a little uncomfortable and on edge, especially on No Smoke Bout Fyr which at the moment is my favourite but as we know, I’ll change my mind after several more listens. I’m doing a radio show in June and I’m tempted to just play this record on a loop for 2 hours. There is so much to love about this record and there is so much to admire about it. It’s wonderfully noisy and just an excellent body of work.

It has that industrial sound found in the likes of Suicide mixed with something I can’t quite get my head around, and I think that is part of the appeal. Because it sounds like something you really haven’t heard before but as someone who loves all of Mark’s musical projects to date, there is something a little familiar in his sound. But like I mentioned, there is something that definitely keeps you on edge. It’s part excitement, part nervousness.

This record is so easy to love and is an absolute joy to listen to, and the record closer Thick 2 is the kind of song you’d want to hear on the radio (especially if you’re tired of the mundane.) I love how this record sounds like someone who is really pushing themselves to create something that towers over what they have previously done. I love the passion and dedication in this record. I cannot compare this to anything Mark has done previously, everything he has ever done always sounds different and although there may be familiar sounds at times, he really does make music that stretches beyond labels and what is expected. I have no idea what Mark set out to achieve with Leather Party, but I can safely say that, as a fan it is nothing short of perfect. Sure I’d love more songs but what Mark has created here is something to treasure, play loud and snarl at your neighbours to.

You can buy/stream the release here: https://leatherparty.bandcamp.com/releases

Check out Mark’s stories for the music here also: https://www.wearerawmeat.com/posts/leather-party-tired-ize Start with part 1, and allow yourself to be captivated by Mark’s words and music.





DORIAN: Just What Is It That Makes Dorian So Different, So Appealing?

4 02 2018

 

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When I was at University back in 2006, there was one band in particular that saved me from loneliness and homesickness. A band that I would listen to almost religiously- The Long Blondes. I think them splitting up was one of my biggest heartbreaks I’ve ever encountered. But, we must move on. I still listen to them. Certain songs are still my crutch. Kate Jackson’s solo record blew my mind and know it is time for Dorian Cox to step up and show us what he’s made of.

Dorian has been involved in a number of projects over the past few years, and his current one is heavily and wonderfully influenced by two of the greatest bands of all time- Suicide and The Velvet Underground. I can accept a lot of things in life, but I have a hard time accepting that someone wouldn’t be a fan of Suicide or The Velvet Underground. Their dirty and raw New York sound is something I have always been in love with, and I love finding music that has been influenced by one or the other, or both. Dorian’s debut release is wonderfully titled Just What Is It That Makes Dorian So Different, So Appealing? It sounds like an early title from a song by The Smiths doesn’t it? Bloody great.

This EP reminds me of early Suicide with a massive nod to the genius, Mark E. Smith. The distorted vocals over the synth and drum machine work so well. I’ve listened to this a few times now since it came out at the end of January and I can safely say that the lyrics to Forever Is My Favourite Cliché possess some of Dorian’s finest work, lyrically. I have always adored Kate and Dorian’s song writing skills both separately and together. I love the sheer sleazily and dirty feel in the songs- it stays true to that eeriness of Suicide and darkness of Lou Reed’s words. Sure it’s an acquired taste, but I think those who love Suicide will adore this. It takes you back to the first time you heard the likes of The Fall and Suicide, and it stays with you. That feeling builds and builds with every listen. These aren’t songs you’ll hear in a club- these are songs you’ll hear at house parties at 2am when everyone has emotionally crashed and needs something to lift their spirits. It’ll spark up conversations with potential love interests, it’ll bring together people who wouldn’t probably talk to each other at any other time.

It is has got this quality and feel to it that can ignite feelings, thoughts and wonder. You can play it at any given time and it’ll make you feel like you are elsewhere. I first played it when it came out. I was sat at my desk at work and I just played it a few times to try understand what was going on and what Dorian wanted to achieve with this record. I feel that if he wanted to create this real raw and dirty sound then he has done it easily. No problem. I love music that makes your ears feel a little violated and your mind warped. I love anything that’s a bit dark and sinister. Just What Is It That Makes Dorian So Different, So Appealing? is a brilliant EP and one that is probably best enjoyed around 3am when you can’t sleep. When it ends, allow yourself to drift off and have insane dreams. Maybe Alan Vega will come visit you with Mark E. Smith in tow.

Dream baby dream.

You can listen to/buy the EP here:

https://dorian.bandcamp.com/releases





MARK E. SMITH

24 01 2018

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I was about to settle down with a book and play The Fall when I read that Mark E. Smith had died. My hands are shaking. Hitting the keyboard to try type out some sense is all I’ve got.

I’ve been into The Fall for close to 16 years. I worshipped Mark E. Smith. His words were like religious scriptures to me. His words were to the point, honest and hilarious. Observational and vital. Pure and unapologetic. Genius, genuine. Northern. My hero.

Some dismissed him. Those who dismissed him didn’t get him. Those that got him adored him and like me, clung onto his words. For me, his words were my crutch when I was on the dole for a while and his words have rang true whilst I struggle living in a city that I just do not want to be in. His words, his voice, him. The hell do we do without him? I thought he would outlive us all, in a way he will. There will never ever be anyone like Mark E. Smith. There was no one else like him before. No one else will come close to him. He’s one of those people who are just so rare and so precious. I feel like someone has repeatedly punched me in the stomach. Can this just be a joke? Come on now.

His autobiography is my second most read book (my first being Just Kids by Patti Smith.) My copy is well read. It’s been everywhere with me. I’ve taken it on trips, I’ve used it to provide laughs, I’ve quoted it at appropriate and inappropriate times. I’ve clung onto it like a baby holds a blanket for comfort. Mark’s words were a safety net. They always will be. An escape route from the mundane.

The way he used his words was nothing short of brilliant. The guy was a genius. A proper poet. The people’s poet. He had this way of just getting in your head and making everything fall into place. Sure he had a reputation of being difficult or whatever, but he probably had his reasons. People can be idiots at times and he was probably rightfully annoyed at their stupidity. We can all relate to that.

I have this weird ritual that any time I leave London to go home/north, I have to play Hit The North a certain amount of times. When I hear this song, it gives me butterflies because I know I am going to see people I love. It reminds me of home. I don’t know why, but it always has. I used to listen to it at uni when I got homesick. The Fall have always been my band. Everyone has that one band that is theirs (I don’t mean in a “I love them more than you” way at all) They were a band I found on my own. By on my own, I mean staying up late to listen to them on the radio when John Peel would play something by them. I was hooked instantly. First listen and I knew I had found a band that would be a massive part of my life. A band that I would come to rely on over and over again.

Mark E. Smith was undoubtedly the most hardworking person in music. He was my superman. He had this ability to just make you connect to his words in a way that no other could. I know I love Morrissey with all I have, but Mark E. Smith was the King of Manchester. He truly, truly was. He made you want to have a pint with him in his local and just talk about anything and everything. He was so fascinating. I can’t get my head around writing this in past tense. It just doesn’t make sense at all.

I remember finding a copy of The Wonderful and Frightening World Of… in Oxfam on the Isle of Man and thinking I had won the lottery. In my head, it was my version of winning the lottery. It is one of my most played records. A couple years ago my mum got me a bootleg live record at a car boot sale on the Isle of Man along with Captain Beefheart and The Pretty Things.

I know this is all over the place, and there is so much more I could write. Maybe I will another time. For now, I have to let this settle in my head. How most felt about Bowie leaving us is how I feel about Mark E. Smith leaving us. The greatest frontman of all time, one of the greatest writers of all time. Entirely genuine and effortlessly charismatic. His humour and intellect was apparent in every single song, every single record, every single word he spoke, sang and wrote- it was all there. Always.

Mark E. Smith could make you belly laugh, he could make you chuckle at his observations, he could leave you in awe with his wisdom. He made you feel and think so much. He made you see things differently, and it was such an honour. The Fall weren’t a band that you listened to once in a while. They were, and are…fuck they ARE a band that just become so important to you. The amount of times I have had a panic attack and used Hip Priest to calm me down. It’s over 7 minutes and it’s one of the few songs that can calm my mind down. I can zone out, and all is okay.

Maybe it is pathetic, but I genuinely feel like someone has ripped my heart out and punched me in the gut over and over. It’s one of those things you dread. What do you do when your hero goes? I’m at a loss with this one. Like I said, there is so much more I could write and maybe I should have left it longer to get this out so it was written in a better way.

He had this laugh that was like a naughty schoolkid. I can hear it now as I blast out Hip Priest. His cheeky smile was infectious too. He was one of the good ones.

Thank you, Mark E. Smith. Forever my hero. Safe trip x





NICK CAVE & THE BAD SEEDS: Manchester Arena- 25/09/2017

28 09 2017

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Never in my life did I ever think I would see Nick Cave & The Bad Seeds live. I treated them like mythical god-like beings that I would worship but never see. It all changed last night. Everything changed last night. I know I always say it but, I can honestly say that Monday night’s show was the best gig I had ever been to. Nothing is ever going to top it. I don’t want anything to ever top it. It was something I thought I could prepare myself for, but honestly nothing can prepare you for ever seeing your idol.
I’ve allowed a few days to pass so I can process what I saw and felt on Monday night and to be honest I think it is one of those things I’ll never get my head around. Prior to Nick Cave & The Bad Seeds arriving on stage, the atmosphere was tense. A lot of people had picked up on it and it was just so heavy. I heard people mention what had happened and how they could sense it. It was an odd environment but as soon they stepped on stage, everything changed.

As soon as they graced the stage, tears fell from my eyes. The tears were from years and years of waiting. Years of admiring this poster I remember seeing to having the man himself stood in close proximity. It was entirely surreal.

The bulk of the set was Skeleton Tree. I’ve only listened to the record a handful of times. It’s such a gorgeous record but the circumstance surrounding it is heartbreaking. However, seeing these songs live changed it all. The emotion was there but more so- I was in awe of all of them. Every single person on that stage is a genius and the best musicians I have ever seen.

For me, the way Warren takes an instrument like the violin and turns it into this wild weapon like a machine gun blew my mind. He took something calming and whipped up a heavenly storm. It felt like the inside of my head when I have a panic attack, except I felt totally at ease with it all.

I know it is utterly expected but I need to write about Into My Arms. It’s a song that has come to mean everything to me. It’s always reminded me of someone, and to finally be able to hold her close as they performed this perfect dedication of love meant the world. And I could see just how much it meant to everyone in the venue.

From Her To Eternity sent me off on a whirlwind. If I could live in the moment of any song, it would have to be that. It’s one of the most important song to me by anyone. From the lyrics, the music, the title and Nick’s voice- it is just a perfect work of art that I always remember being one of the first Bad Seeds songs I ever heard. Those moments stay with you, and so does seeing it live. It’s a moment that you want to always stay in.

From Her To Eternity went right into Tupelo. It was like a storm arriving. It was wild and it was untameable. Every little detail just made you fall deeply in love with the band. More than you already were, and to think it wasn’t possible!

One moment in the set made me cry harder than most. I really didn’t think Jubilee Street would make me cry at all. It’s a song I’ve loved but never did I think I’d get myself in a state. Towards the end of the song when Nick powerfully and beautifully  (I’m getting goosebumps writing this) sings “I’m transforming, I’m vibrating, I’m glowing. Look at me now!” If I could describe in a way that does this moment justice, I would. But if you were there or if you’ve ever seen them do this live, I hope you understand what I mean and what I’m getting at.

Higgs Boson Blues felt like a punch to the face, like your soul was being shaken up. There are songs I wish they did but honestly they could have sung the weather and I’d have been happy, and still declared it as the best gig I’ve ever been to.

As I watched Nick be propped up by the crowd with their hands reaching out to him waiting to be touched and held- I kept thinking it was like a sermon. The stage is their altar and we are their dedicated followers. At one point Nick announces how gorgeous Warren is and he also discusses his purple socks with a guy in the crowd. At the encore, I think he hands him one of his socks. There was also an idiot who twice yelled at Nick, “Get your dick out!” I don’t condone violence, but I wish Nick found the doofus and smacked him in the choppers.

I’m not a religious person, but this gig felt like a religious experience. I’m totally fine with Nick being my god and my teacher. I clung onto every word he sang with such hope, love and admiration. Nothing has felt the same since. I feel as if I could be okay with never going to a gig again after seeing them because let’s face it, nothing in this world is ever going to top it. As I gazed up at the stage, I felt 3 years old again staring at the poster on my uncle’s wall with curious eyes and anticipating what would happen if I delved deeper.

I loved when Nick walked into the crowd in the seating area. He stood like a majestic creature. Controlling the crowd with hand claps and silencing us when he wished. We would do anything he wanted. The stage invasion was such a beautiful moment. To see that many people on stage with the band they adore was just beautiful, and as the set ended with Push The Sky Away everything felt alright. What comes next is going to be okay, no matter what.

I’m sure I have missed out many things that happened, but I’m still trying to stay in that moment of seeing them live, finally. Of course if I had the money I’d have happily done the whole tour. The crowd were wonderful, the band were phenomenal. There are so many reasons as to why this is the best gig I’ve ever been to and if you were there, you’d understand.

Nick Cave. The Bad Seeds. From Them To Eternity….





PINS: Bad Thing EP.

24 03 2017

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In some ways, I guess I could just say this blog is dedicated to the same bands over and over. That probably makes me boring, but I don’t care. It’s not my fault that a solid few I love put out excellent music that deserves being written about. I’ve been writing about PINS for a long time now, and every time I write about them it is as if I find something new to love about them. Everything they put out seems a step above what they previously did. They have a really strong sound, and aren’t afraid to be different and more importantly, create a sound that is so important.

As part of the Bad Thing EP, PINS have worked with the King of Punk. The Godfather of Punk, Iggy Pop on the lead track Aggrophobe. The partially spoken word track captures why we love him- his voice. Speaking or singing, Iggy has such a distinctive voice and with Faith’s voice merging with his on the hook, you kind of want Iggy to be a permanent member of PINS. It’s such a brilliant song, and the video to it is equally great.

Bad Thing is a handful of songs that show perfectly just how great PINS are and how their sound and beautifully evolved. I need to touch on their stunning cover of Dead Souls by Joy Division. Not many people can work a cover and add something to it. I think if someone is going to cover a song, they should do something that makes it theirs. That makes you believe it is their song and doesn’t belong to someone else. They’ve done it beautifully with Dead Souls. When I first heard PINS a part of me heard familiar hints of Joy Division in their sound, and I’m so happy they chose this as the Joy Division song to cover. It’s one of their best ones, and PINS make it their own but still leave parts of Joy Division within the song. It is 4 minutes and 35 seconds of ethereal darkness. It’s comforting and sacred. For me, PINS are made up of 5 excellent musicians who are the best at what they do. If you’ve seen them live, they’ve probably all left you wishing you could play an instrument. I firmly stand by Sophie being one of the best drummers I’ve ever seen.

After spending my morning at work listening to Bad Thing, I’m pretty much set on In Nightmares being my favourite song. Faith’s voice is gorgeous on this song. There are a number of songs by PINS where her voice just sounds so haunting yet angelic, In Nightmares is easily one of them (Everyone Says is another, from their last record) In Nightmares is the song you go back to and play constantly. Irrespective of your mood, it’ll make you feel like you’ve got a safety net and well, we all need that at times and sometimes it takes form in the shape of music.

All Hail is a song they have already been putting in their shows, and it is so good to see. It’s got this wonderful gang-like feel to it as they sing, “All hail.” It’s like a protective circle around the band and those who love their music. PINS are one of those bands you wish you could join. You’d start a band if you could, but you know you wouldn’t be able to get a sound like this. There is something familiar about their sound, which makes you know it is them but there is something else that lies within their sound that makes you unsure if it is a band from decades and decades ago, or if this is really a band from 2017 making this ideal sound.

To be honest, PINS have got the ideal sound. But that’s just my opinion. For me their sound is everything I want from music and from a band. I love their lyrics but I also love watching their live shows. I’ve seen them at pretty much every London show they’ve done. They’re playing up the road from my house next month, and I’m so excited about it. They are a band that you have just got to see live. Each show they’ve done that I’ve seen just shows how much they have grown. Not just on record, but on a stage too. The confidence is properly there now, and I am so proud of them.

Bad Thing is out now, but limited copies are available.





BANKS: Albert Hall, Manchester. 10th March 2017.

11 03 2017

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One of the best feelings you can experience is waiting years and years to see a band or singer you adore. Not only do you adore them, but they’ve undoubtedly saved your life and made it easy for you to face those days where getting out of bed seems damn near impossible. You’re not brave, but the music and words give you this strength that you never thought you could possess. You don’t know what to do with this strength, but when no one else is around at 3am when you wake yourself up from having a panic attack, the music keeps you safe. The music keeps you sane. You have a small support network but those people aren’t close by. You cling to what you can, when you can.

Since 2013 I’ve been obsessed with Banks. Her words got me through something that in some ways, I put myself through a few years before. A situation I was too immature and fucked up to handle. The songs on Goddess made me see how badly I had hurt someone I loved and adored. Fast forward a few years, and we’re together. The songs don’t hurt as much. We’ve both healed. Time can heal. Goddess is built on songs that ooze hurt and pain, but they give you strength. The Altar is a body of work that shows honesty and vulnerability in a way that again, gives strength. That’s what Banks embodies- strength and love for yourself. Her songs are a form of healing and clarity.

Her set opens with the chilling Poltergeist. Using two microphones to distort the vocals, Banks has this stage presence that hits you right away. The way she focuses on the dance routine during this song is nothing short of hypnotising. Your eyes are hooked on every mood she and her dancers make, and the songs suddenly take on a whole new meaning. Banks moves like nothing else I’ve ever seen. Her moves are so delicate and well thought out. She reminds me so much of Aaliyah with the way she carries herself and glides across the stage.

There are so many stand out moments from the show last night that made me realise that her songs are more than just words and music. To see them come to life like this was mind blowing. Every part of me just wanted to sing a long, but all I could do was gaze in awe. The person I’ve been using as a crutch for so long was right there. One of the most beautiful points of the show was her asking everyone to put their phones away, and she performed a fragile version of Better. This song performed this way just changed everything. It took the song elsewhere, and you just connected in a completely different way. Mother Earth was the song I feel broke and fixed hearts and minds. Lyrically, it is probably one of the best songs Banks has written so far. The way she is so open and so pure when she performs this song just melts your heart. I knew it would be the song to break me and make me cry, it just has this power but in the best way imaginable. You just feel when you hear it that you can possibly take anything on and that she is right there with you going through it all. She gives you so much hope with this song, and I cannot thank her enough for it.

This Is What It Feels Like is one of the songs I was massively looking forward to. It was one of the first songs I heard from her, and she dedicated it to all those who had been there from the start. The way she choreographed her hands as she sang This Is What It Feels Like is so captivating. Drowning also left me hypnotised. I couldn’t tear my eyes away from the stage and it was sung with such determination and power. Beggin’ For Thread was just absolutely one of my favourite songs from the set, and it just made me so happy to see this song come to life like this. Her dancers add this eerie feeling to the whole set that just lures you in, deep into this world in the most comforting way.

A large part of the show was songs from The Altar which was easily one of the best and most underrated records of last year. Since September I’ve played it religiously. It’s been a record that has eased me out of a state after I’ve had a panic attack, and her voice just soothes my head. Trainwreck is performed with such attitude as is Gemini Feed and of course, Fuck With Myself. The way she performs these songs just gives you this belief that you’re as tough as her. Weaker Girl is again, another mind blowing performance. The way everyone shouts “I’ma need a bad motherfucker like me” is incredible. Every song is just screamed back at her, it makes you feel like you’re in an arena not an old church in the middle of Manchester. She has the crowd right where they should be, and none of us want to ever leave.

Judas and Haunt again bring out this bold and brave side. Judas especially is performed with this venom that makes you feel the hurt she’s experienced from whoever or whatever has hurt her. I know I’ve said it countless of times before about her, but when she does this you just truly connect to the music. She’s so easy to connect with and to feel, and believe in every single word. I don’t even know what I did before I had her music.

The set ends with 27 Hours followed by This Is Not About Us. Of course there are other songs I would have loved to have heard but that’s just for my own personal sentimental value. The set was nothing short of perfect, and if anything, I’d have just wanted her to stay on stage for hours. Her dancers, her band, and her stage presence- just everything felt like something that came purely from the heart and soul. Wherever she goes when she performs these songs, she takes you with her.

It didn’t end just there. Before we went to the show, I wrote a letter to give her. The letter consisted of me telling her how much her music has helped and healed. How it still does, and how it gets me through my own hell. I handed the letter to her, and as we hugged, I had to tell her something I had needed to say for so long. I told her that she had saved my life. A bold and big statement that is entirely the truth. This was more than just a concert. It did something that no other show has ever done to me. I’ll keep its meaning close to me and go to it when it all seems too much. There is so much more I could say about the show last night, but if you were there or if you’ve seen her live- then you’ll understand exactly what it is that her music and her presence does.