THE CRAMPS: Fiends Of Dope Island.

19 09 2017

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So here we are, the last record by The Cramps. In 2003, The Cramps released Fiends Of Dope Island- their eight full length record. It isn’t my favourite record, but thankfully it still has THAT sound that we all knew and love. The sound that defined them. The sound that made them so important and so influential.

I thought writing about all their records would have taken me longer than this. However, from the start I knew it was something I would have to see through. Besides, what else am I going to do with my spare time?

Fiends Of Dope Island opens with Big Black Witchcraft Rock. It’s a heavy song in comparison to what they have previously done. This record is a heavy sounding record and in some parts of the record, it doesn’t completely sound like The Cramps. I know a band shouldn’t make the same sounding record over and over. The Cramps never did that, but you always knew it was them. There is no fault at all in Ivy’s raucous guitar skills- you never could fault her or Lux at all.

There are some great songs on this record such as Dr Fucker M.D (Musical Deviant), Dopefiend Boogie and She’s Got Balls. It is still a brilliant record by them, don’t get me wrong. But I had a bit of a hard time getting into this one. I mean nothing is going to beat A Date With Elvis or Stay Sick! for me but it is still a strong record that sits nicely with their lengthy list of releases.

I love the slick sounds on Taboo, and how Chopper Franklin truly adds something special to this cover. It also shows just how fantastic Lux’s voice was. He sings slightly different on this one. It doesn’t typically sound like him, and I think that’s why this cover really stands out on this record. It is one of my favourite covers they’ve ever done also. I love Hang Up. It’s got Lux sounding quite snarly, and I really love that. I love how he could do anything with his voice. The way he’d sound like every part of him was shaking as he sung. The banshee-like wails he makes on the end of the song are just excellent. It’s one of the best moments on the record for sure. I also think Oowee Baby is one of the songs on the record that sounds typically them. It’s got a sound that reminds me a little of their earlier records.

I feel that Fiends Of Dope Island is slightly darker than their previous records. This record does feel quite heavy. I don’t know if they knew this would be the last record they were going to make or not. It’s hard to tell.  The artwork to the record is creepy. Lux has this demonic look, and it kind of gives you an impression of how they wanted this record to sound. It is dark and it is menacing. I don’t know how this record sits amongst other fans of The Cramps. I’ve played it a few times in a row now prior to writing this and it has grown on me. I really love Dr Fucker M.D- there’s something brilliantly eerie about this song. It sounds like something you would hear playing in a horror film. You can imagine Dr Fucker being this wild doctor who just causes absolute mayhem.

From listening to all of The Cramps records, it has just made me love and appreciate them even more. No other band is ever going to make something as wonderfully sleazy as I Want To Get In Your Pants or something as decadent as Kizmiaz. The Cramps were one-offs. Every single record shows that, and maybe they knew with Fiends Of Dope Island it would be their last. I think they did set out what they had and needed to do. Of course we would have taken more. I wish I was one of the lucky ones who got to see The Cramps. Any line-up, I don’t care. I’d have just loved to have seen them.

So there we have it. All eight records written about. All eight records listened to more carefully than usual, and loved more than before.

Viva The Cramps!

 

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THE CRAMPS: Big Beat From Badsville

18 09 2017

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Here comes record number seven with a blazing smack to the choppers. Big Beat From Badsville is the coolest sounding record I ever did hear. Does the record sound as cool as its name? It’s The Cramps! Of course it does! Now, let me give you a few hundred words about why this record will ease any mood, why this record feels like it could be up there as one of the best things you’ll ever hear.

The most important thing to note about this record is that it is the only record by The Cramps that doesn’t have any cover songs in. the brilliant thing about The Cramps is that they make you forget that a chunk of their songs are actually covers. They make it their own. They made whatever genre of music you want to lump them in their own. They are the loudest band you’ll ever need. Hell..they’re the only band you’re going to need.

Big Beat From Badsville came out in 1997. Its 20 years old, and it sounds like it easily could have been one of their first records. Maybe just after A Date With Elvis. The songs are as smutty as ever. They are wonderfully sleazy especially on songs like I Walked All Night, It Thing Hard-On and of course, Like A Bad Girl Should. This record has ALL the hits. It has the songs that you need to play at any party. Just play this record, and go have a great time. You can play it loud whilst at home by yourself, play it to a lover or force friends to listen to it. Whatever your mood, just play this record as loud as you can. If they turn their noses up at these genius-like songs, then kick ‘em out. Then kick out the jams!

This may be their second to last record, and it really doesn’t sound like a bad that had it in them to quit. I reckon if Lux was still here, they’d be busting up stages and giving the kids a seductive fright. Badass Bug is such a brilliant Rockabilly song. You can picture them recording this in the studio and possibly just having the best time imaginable doing so. It’s such a great song to let everything go to. Just flail your limbs about. Do whatever you want!

What I absolutely love about The Cramps is their ability to make you feel utterly free. You can be stuck in a situation that is ruining your soul, but as soon as you play this record it makes you feel so free. They just take you some place that nothing else can. Like A Bad Girl Should is such a filthy song, and if anyone else sang it- you’d probably just dismiss it but Lux does it in a way that just makes you smirk and probably think about the person you lust after. That lust shouldn’t ever fade if you’re with them. Like A Bad Girl Should is an unconventional love song.. I love how out there it is. I love how it sounds a little stalker-ish. Thing is, Lux doesn’t make any of this creepy. I love Devil Behind The Bush- you can easily tell what this is about. You’re probably a prude if you don’t get it. I reckon even the biggest prudes of them all could find a song by The Cramps that they love. Find one, and shock them with a song by The Cramps!

If I was ever looking for a record by The Cramps to reinforce or even justify (as if I need to) my love for them, I’d probably use this one. I love that it is all of their songs. I love how outrageous Lux got with the lyrics on this one. He truly lets it all go on this record, and you know what- it really makes you miss him.





THE CRAMPS: Flamejob

18 09 2017

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Record number six. What could The Cramps give us with their sixth record that they hadn’t already? They didn’t need to prove anything, they never did. Flamejob is one of their most underrated records, and it is easily one of their most boldest records.
If any song summed them up, it has to be I’m Customised. It just describes them fully. One-offs. Entirely rare. Nothing like them since. This is one of their most Rockabilly/Psychobilly sounding records. I think this might be evident the most on Sado County Auto Show. It’s a massively underrated record and it shows just how great Lux and Ivy were at producing records. Flamejob also came out on Creation. I didn’t know that and I feel that I should have. Silly me!

The Cramps took their time in between records, and it shows that a lot of thought, time and care went into these records. The magical thing about The Cramps records is that none of their records consist of fillers. Every single song deserves to be there. Every single song deserves to be heard loud and repeated over and over.

Yet again it is another record by The Cramps that shows just how underrated Poison Ivy is as a guitarist. She is one mean guitarist. Her style is so distinctive and raw. There is nobody else quite like her, and I adore her sound on Strange Love. With every record she just sounds stronger and more determined. Lux and Ivy have always had that. This determination they had together is shown on classic styled songs like Swing The Big Eyed Rabbit. There was something about them that made you realise instantly there was something special about them and what they were going to do.

I feel I haven’t discussed artwork to their records enough, and I know I could have easily done this with the records I’ve written about before. But, there is something about the artwork to Flamejob that really stands out for me. I love that Lux did the artwork, and took this photo of Ivy. I love her stance and how partially futuristic she looks. I love the orange and red giving off the fire background. I love her leather outfit and the way she looks like someone you wouldn’t want to mess with. Or you might. Depends on what you’re into. This cover is one of my favourites, and I just love everything about how you can tell a lot of thought was gone into it. It’s a precise piece of art- like everything they did. It’s nothing short of stunning.

You can’t help but really get into Mean Machine, Let’s Get Fucked Up, Inside Out and Upside Down (With You)- I could just list the whole record to be honest. Like I said, I reckon this might be one of their most underrated records. I love that Creation put it out also. I definitely need to find myself a copy of this record as soon as I get paid. Or ask someone nicely to get me it for my birthday. It’s got this feel to it that I hadn’t gotten before from their records. Maybe it’s sensing a heavier sound almost, I don’t know. But like I’ve mentioned before- The Cramps had a distinctive sound, and it is always a pleasure to just listen to them.

Flamejob again had Slim Chance on bass, but on drums there was the remarkable Harry Drumdini. The one thing I have always loved about The Cramps is that they always had loud drummers. I love drummers who are unapologetically loud and play with all they have.

Alright so that’s number six done! Go listen to it and make your Monday morning less painful.





THE CRAMPS: Look Mom No Head!

17 09 2017

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I’ve got a few reasons as to why I am excited to write about this record. The main reason being- Iggy Pop is on it! The Cramps AND Iggy?! Oh man..what a time to be alive! I also love the artwork to Look Mom No Head! I think it could be my favourite. This is definitely one of my favourite records by The Cramps too.

The record opens with the dominating Dames, Booze, Chains and Boots. It sounds a little different to what we’ve heard before by The Cramps. The guitar is a lot of heavier on this song, and it just shows how brilliant Ivy is. No one can really compare or compete with her, and she’s truly not given the recognition that she deserves.

There’s one other thing that I need to mention here. The drummer on this record is Jim Sclavunos. That’s right, THE Jim Sclavunos. You probably know him from being part of Nick Cave & The Bad Seeds. He’s up there as one of the greatest drummers of all time- ask anyone. In 8 days I will FINALLY get to see The Bad Seeds in concert. I’m so excited to see all of them. That’s the closest I’m ever going to get to The Cramps! Jim’s drumming on this record gave The Cramps a different and heavier sound. There is something about this record that takes you aback slightly. It feels like something got stirred inside the band, and Look Mom No Head! was born.

The record is made up of some brilliantly named songs such as Bend Over I’ll Drive, I Wanna Get In Your Pants and Eyeball In My Martini. These songs are just insanely great. Like I said, it’s definitely a heavier sounding record, but that sound of The Cramps that we all adore is still there. That sound never ever left. There was no way it could. They could have done an Opera record and you’d still know it was them. There is something so powerful and distinctive about The Cramps. No one else comes close.

Iggy features on the rowdy Miniskirt Blues. Their voices together is just ridiculous. It is such a fantastic song and the way their voices go together is just amazing. You can’t help but wish that they did more together. Imagine if they did a full record together and took it on tour. It would have been wild. It would have been so sordid and beautifully debauched. Lux and Iggy are two of the greatest frontman and singers of all time, and for them to do this song together is just such a great moment.

Look Mom No Head! is a wild record. Songs like Two Headed Sex Change and Blow Up Your Mind are so good. Two Headed Sex Change is such a ferocious song. I’d have loved to have seen this live. I really love Ivy’s guitar on this one. For me it is definitely one of those songs that make you realise how great The Cramps were. It really does show how amazing they all were and are, as musicians.

I adore how Lux’s voice sounds on I Wanna Get In Your Pants. I would have loved Iggy to have featured on this one too. It’s such a sleazy song, and you cannot help but laugh at some of the things Lux says.

Look Mom No Head! was ahead of its time, like everything The Cramps did. It’s such a filthy and smutty record, and I love it. It’s easily up there as one of my favourite. Not just by them, but of any record. I love how strong they all sound and how it has such a tight sound to it. I could happily play this record over and over. It definitely is the band at their strongest and strangest.





THE CRAMPS: A Date With Elvis

15 09 2017

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Prior to this record being released, The Cramps put out numerous compilations and live records. Maybe I’ll go back and write about them, but for now I am sticking with studio albums. Now we’re on record number three. Three is the magic number, and although I said I could never pick a favourite record by The Cramps- I’m pretty sure that this one is my favourite. So here we go.

This record is just phenomenal. It’s got all the classics. I’ve got a copy on vinyl that my girlfriend got me this Christmas just passed. It was probably one of the best things I’ve ever been given (she’s also got me a record by The Mummies which massively blew my mind! I think she got me it because I told her there was no way she would ever find a copy.) A Date With Elvis came out in 1986. A really good year for records. And you know, some of us were born in that year! A Date With Elvis only has Ivy, Lux and Nick on- again, three is the magic number. Of course the likes of Bryan and Kid Congo Powers are missed here, but the content of this record is nothing short of genius. There is something about Lux’s voice on this record that sounds super strong. The strongest it has ever been, and the way the three of them had put this record together is just amazing. It’s a record I am constantly playing. I don’t care if it annoys my housemates and neighbours- everyone has THAT one record they just need to put on after a tiresome day. This is my one.

The brilliantly named Kizmiaz (say it slowly) is my favourite on the record. I love how it is slightly slower than a typical song by The Cramps and Lux’s voice isn’t as deep here. There’s a different tone on this song, and I just adore it. I could play it over and over, and fall back in love with it all over again. The whole record has some greatly named songs on such as The Hot Pearl Snatch, What’s Inside A Girl? and Can Your Pussy Do The Dog? Read into the songs however you want, but the humour is subtle but the genius is obvious all over.

People Ain’t No Good may sound pessimistic, but it’s a great song. Lux, Ivy and Nick just make it fun. Their second record had that Horror film to it, but A Date With Elvis has this really laid-back atmosphere to it. The songs won’t make you jump out of your skin, instead you’ll just want to throw a party and play this record on repeat. Although a party consisting only songs by The Cramps would probably guarantee my attendance, and I’m not a fan of parties!

We all have records by bands we love that justify why we love them so much. Sometimes it may just be a song, but for me this record totally explains and shows why I love them so much. It’s one of those records you cannot help but go back to. If I was telling someone who hadn’t listened to The Cramps before where to start, I’d say this one. Then I’d shock them with Psychedelic Jungle. Just to see if they can handle it.

Writing this has just made me want to go home and blast this record out. I’m pretty sure that’s how I’ll spend my evening. Then I will delve deeply into record number four and see what kind of world that takes me to.

Like all records by The Cramps, this one needs to be played loud. And often,





THE CRAMPS: Psychedelic Jungle

15 09 2017
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With a line up change, I guess anyone would question a little if The Cramps could maintain the magic and weirdness they created with their first record. Of course they could, and did. Exit Bryan Gregory, enter Kid Congo Powers.

Psychedelic Jungle is a brilliant record. We all know that. The smut and filth levels are upped here and by no means is it for shock value. It’s just how it is. Gloriously perverse. Others still try and do this but they just sound like creeps. Certain bands have done it since and have kept with the similar tone as The Cramps but others, like I said, are just creepy.

Caveman has this aggressive sound to it. It sounds like a motorbike chase at times. The whole record is one wild ride that you never want to end. It’s got the perfect mix of filth and strange. You have to really listen to pick up on specific references. But hey, if your mind is wired to head that way anyway, you’ll have smirked instantly within the first note.
This is such a great record to lose your mind to. Sure they made some records that make you want to dance but this is one to just lose your mind to. Yeah there are songs that will make you move such as The Crusher. But maybe don’t take the song so literally. Unless you’re a zombie perhaps. This song would fit perfectly in some 70s Horror B-Movie. You know the kind. Don’t be a snob, those films are great! In fact, the whole record feels like it is a handbook for ghouls, vampires and zombies.

For me, The Cramps are that ultimate band. They were just consecutively amazing and always brought out mind blowing and ear bending records. The influence they had and evidently still there. Bands like this don’t come around all too often and sorry to be that person but, they don’t make them like this anymore! The more I write about them and the more I listen to Lux’s earth shaking and hip swaying voice, the more I miss him. The more I miss The Cramps. I could say we need another record as insane as this but do we? This wasn’t the blueprint, it was perfection the second they released it. The haunting werewolf like cries on Primitive is one of the most enticing moments on the record. This song stays with you all damn day.

I love how The Cramps made the artwork to their records fit with what was going on in the record. Sure you can dance to their records, but if you take some time and look at the artwork as you play the record in full, you may see the theme of the record. You may truly feel what’s going on in the record and pick up on the stories being told. It’s genius and totally mind blowing.
I could easily say that this is their greatest records, hell I could say that about all of them to be honest. And you know, it’d be pretty difficult to actually pick a favourite- right? They are one of those bands that blow you away each time, and the thing is, they still do it now. Going back and listening to this record solidly was nothing short of fun. I loved being able to hear new things with each listen and to pick up on different reasons (and new) as to why I just absolutely adore this band.

Maybe behind the filth and sleaze are tips on how to survive the end of the world but hey- Don’t Eat Stuff Off The Sidewalk!





L.A. WITCH: L.A. Witch

8 09 2017

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Just so you know, this is going to be hugely biased. I have been waiting YEARS to finally do this and I honestly couldn’t be happier about it. This is my version of Christmas and my birthday all in one. I am so excited to play this record and to write about it. Note: I wrote most of this on the train into work this morning at 7:20am.

What you need to know about L.A Witch is not only are they one of the greatest bands ever (there’s proof, just go to their shows) they are also one of the most hard-working bands around. They never ever seem to have any time off. Whilst touring can be hectic and tiring, L.A. Witch always put their all into their shows and each show is played with sheer devotion to what they do. And what do they do? They blow our minds, of course!

If like me you are obsessed and in love with their music, you’ll know pretty much every song on their debut record. From dodgy YouTube recordings, to the demos and to seeing their live shows- these songs are familiar but at the same time, absolutely brand new. On record, these songs are louder and the drums. Oh lord, the drums!

Sade has a voice unlike no other. She sounds like she’s been catapulted into us from the future with a nod to Ronnie Spector (who is probably the most underrated singer followed by Aaliyah.) Sade is a phenomenal vocalist but her guitar skills are equally as fantastic. She makes you want to pick up a guitar and annihilate everything in your way. There’s so much determination in what she does, in what they all do. A band entirely focused and it truly shines through on this record. Drive Your Car is her moment on the record. She just destroys it. The goosebumps are prominent. Play it loud.

Next up, I want to write about Irita. The best bassist you’ll ever know. She’s got this slick tone and when you see them live, you find yourself totally taken by how she gets in this zone. The music takes her where she takes you. Does she do this on record? Damn right she does! For me, You Love Nothing is her strong moment on the record but to be honest, it’s every single song for all of them. This is a band that know what they want to do, go with them.

On this record, each of them sound louder than before. There are times on the record where you try to work out which sound is moving you the most. That’s why we need to talk about Ellie. The coolest drummer around. I love when you can hear, on record, the drums ruling over slightly. However, this doesn’t happen on this record. It happens for all of them at the right time. Perfection exists and it is on this record. Ellie is such a brilliant drummer to watch and she truly, truly shows this on record. Get Lost has ALWAYS been a favourite of mine, and Ellie’s drumming on this song is insane. The speed picks up near the end of the track and it’s this ferociously glorious sound that makes you feel so alive. Record of the year. I was always going to say it.

I’ve been a huge fan for so long and to finally here the songs I’ve adored come together like this is just amazing. Every little detail justifies why they are the best band around. L.A. Witch will make you want to get in a car and just take off. Anywhere. Just far. They make you want to hit the West Coast, and never want to leave. Laze about at the beach, in skate parks, record stores- whatever you so desire. It is such a beautifully intense record that will just ease the mind, body and soul. It’ll take you somewhere, trust me. If Heaven had a sound, it would probably be this record. It is loud in all the right places, it is eerie, it makes you feel like you’re lurking in a graveyard and it’ll make you want to make your own noise. It’s a beast of a record, and as far as debut records go- this is just simply up there with the greats. Only a fool would find fault in it. LA. Witch just make you wish you could join their band. That’s all there is to it. They just make you want to join in and go along for the ride. They’re the ones taking the wheel though. I’m cool with being the passenger.

I could go on forever about this record and how brilliant it is, and how it means everything to me to finally hear it. Hopefully when you’ve played it you will see what I mean.

The band is currently on tour in Europe with some UK dates in the next few weeks. Buy the record, come to the shows. Have the time of your life.

L.A. Witch- thank you. You should be immensely proud of this record.