12 Essential New York Records.

8 02 2018

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I’m not someone who gets overly annoyed easily (but if you chew loudly or sniff constantly on public transport, I’ll probably want to smack you in the kisser.) However, after reading the apparent “essential” NYC records chosen by BBC 6Music, I got annoyed. In fact, it went beyond being annoyed. I am pissed off. A pissed off Punk who is absolutely infuriated by this list and I know that I am not alone in this.

If you want to share my rage, here is the list:

1. The Strokes – Is This It
2. Wu Tang Clan – Enter The 36 Chambers
3. Blondie – Parallel Lines
4. Talking Heads – 77
5. Nas – Illmatic
6. Yeah Yeah Yeahs – Fever To Tell
7. Simon & Garfunkel – Bookends
8. Vampire Weekend – Vampire Weekend
9. Princess Nokia – 1992 Deluxe
10. The Rapture – Echoes
11. Interpol – Turn On The Bright Lights
12. LCD Soundsystem – Sound Of Silver

 

I am a massive fan of Nas, Wu Tang, Interpol, Yeah Yeah Yeahs and The Strokes. The Strokes first record was my crutch for a long time, and I do agree with it being there- but not at the top. There is so much missing from this list- how can you even condense it down to 12 anyway? Maybe 20 wouldn’t even be enough.

So with my burning rage, I have to come up with my own list. I don’t want to claim that my list is correct or anything like that- it’s just an opinion. I could be wrong, or someone may feel like they agree with me. The severe lack of Punk in the list just makes me sad. I do agree, as I said with some of the records being there, but some are wrongfully missed.

Also, it isn’t in any order- I don’t like order, it makes me nervous.

Ramones-Ramones.

It was either this or Leave Home. I think Leave Home is my favourite Ramones record, but their debut deserves to be there because of the huge impact it had. I remember hearing it for the first time when I was about 14/156. The age where everything and anything can influence you. I remember hearing it and feeling like I had been born in the wrong era. Every song gave me this incredible feeling, and every song just made me idolise them. I think it is obvious that I worship Joey Ramone. Oh man, Beat On The Brat is one of my favourite Ramones songs. I love the lyrics and I love the humour in their songs but there is a real sensitivity in Joey’s voice that is so unique and beautiful. It’’ just such an iconic record. It was made to influence and to be played loud.

Lou Reed-Transformer.

The most important NYC record of all time. ALL.TIME. Why the hell wasn’t it included?! It’s pretty insulting to Lou’s legacy that this record isn’t on there. It’s not only a great NYC record; it’s probably my favourite record of all time. As a gay person, this record gave me this sense of freedom that I hadn’t found in any other record when I first heard it. I didn’t come out until years after hearing this record, but it gave me this feeling of being alright with who I was. Besides, me being gay doesn’t define me. Never has, never will Transformer is just the coolest record ever made. I hate the word cool, we know that but fucking hell Lou Reed was THE coolest person to have ever lived and he just smacks it in our faces with this record. Sally Can’t Dance and Coney Island Baby are obviously worth mentioning. Pretty sure my list could just be Lou and Ramones records. Vicious and Andy’s Chest…man alive! “You hit me with a flower.” That’s GOT to move you in some way. I love the lyrics to Vicious, and I think this whole record shows Lou in a different way, you know? He just expressed himself in a way nobody else had dared to. I still don’t think anything can touch this record.

New York Dolls-New York Dolls.

The clue is in the bloody name really. Absolutely criminal and horrendous that this record isn’t on the list. My mum got me into the Dolls at a very young age. I don’t even think I was a teenager. I remember finding her copy of the record, and being in awe of the Dolls in drag. How beautiful they were! I was drawn of course, to Johnny Thunders (the greatest guitarist of all time.) Subway Train is such a beautiful song. Jet Boy has this incredible snarl to it. The whole record oozes attitude that is so unique to the Dolls. The lyrics to Trash and Personality Crisis are just great. This record is New York through and through. It’s got the charm and grit. It’s got the attitude and bite. It’s a record that I always find myself going to time and time again, and discovering more things to love about it. It’s just timeless.

Richard Hell + The Voidoids-Blank Generation.

Alright so Richard isn’t from New York- but this record was recorded at Electric Lady Studios so, it’s a NYC record. And he moved there pretty early on, so it’s fine. It’s acceptable.

I am a Richard Hell obsessive. I paid £30 once for a Richard Hell t-shirt from a shop on Brick Lane. Yeah it was too much money, but it’s Richard Hell.

Blank Generation would easily be in my list of best Punk records. It’s got this raw attitude to it, and I just love Richard’s voice. As a singer and as a writer, I just love him. His autobiography is one of the best of its kind I’ve read. He has most certainly lived a colourful life. Sure he’s done questionable things, the little bugger. But, he’s made some incredible music along the way.

Suicide-Suicide

Suicide are probably the best duo of all time. Frankie Teardrop is the best 10 minute song of all time. Dream Baby Dream is a masterpiece. The whole record is a work of art. If any record can capture the roughness of New York in the 70s, it’s this record. It is such a grand record and well ahead of its time. It still is. Nothing and no one has ever come close to this. For me, I think Suicide are massively underrated but they have influenced so many bands that I adore. It still hurts and it still sucks that Alan Vega is no longer here. I remember when he passed; I had the same reaction most had for Bowie. Suicide were never afraid to push their sound and to make music that was entirely different. It is a beautiful noise that brings such pleasure and joy to the ears. It is a gritty record from start to finish, and they keep that grittiness throughout every record they have ever made.

The Heartbreakers-L.A.M.F

I think this was recorded in London, but Johnny Thunders was a New Yorker, The Heartbreakers were a supergroup. I did want to pick a solo Johnny record, but I remembered how much I am obsessed with L.A.M.F (it stands for Like A Mother Fucker.) and how One Track Mind is such a great song. I can’t help but imagine what it would be like if Johnny was still here. Like I said earlier on, for me he’s the greatest guitarist of all time. His style was just impeccable and one of a kind. No one else could play like him. His style was way ahead of its time. He was ahead of his time.  He had this way of just magnetising you with every note. The record has been reissued so many times, but regardless of what version you have- it’s a genius record. It is proper Rock N Roll and has Punk foundations. Of all the records I own, I think this might be my most played. It’s one of those records I just really enjoy listening to over and over again.

Nas-Illmatic

Nas is one of the greatest rappers of all time, that’s obvious. There are so many Hip Hop records I could have chosen. I know that The Big Picture by Big L is one of the best. I bought it when it came out, and to this day it is still one of my favourite records. Like Nas, Big L was and still is above the rest. Illmatic portrays New York in a way that most don’t want to hear. Nas is not, and has never been afraid to show the harsher side of life. From losing friends to growing up in the projects in Queens- he really takes you there. He’s a poet, a storyteller. Halftime is one of the songs on Illmatic that really show this. He makes you see the world and his world the way he does with Illmatic. Is it his best record? For sure. It’s one of the best Hip Hop records of all time. Nas has constantly brought out remarkable records that have, and still do influence so many. It’s one of those records that you can’t imagine not ever happening. It is such an important record- irrespective of what kind of music you’re into; it is such a phenomenal record. What he did with this debut record most want from their whole career.

A Tribe Called Quest-People’s Instinctive Travels and the Paths of Rhythm

Tribe have always made consistently great records that are so experimental and diverse. They fused together all styles of music. There are so many records by them I could have chosen, but it felt right to go with their debut. It came out in a time where you had groups like NWA with their aggressive songs. Sure their songs may have been, but it is important to remember that NWA were telling us about the things that were happening in Compton- it is just as important and to an extent maybe more so. But this about New York right now. What I love about the first Tribe record is that it frees your mind, it gives you something that you won’t find anywhere else. Q-Tip and Phife are two great rappers, and I don’t think they have ever got enough credit it. Tribe’s records each have distinctive sounds. Push It Along is nearly 8 minutes long, Bonita Applebum is genius, I Left My Wallet In El Segundo is timeless and Luck of Lucien is just amazing. The samples on this record used range from Grace Jones to The Beatles to Lou Reed. It’s a record that quite simply, you need to own.

 Sonic Youth-Confusion Is Sex

I could have happily listed every single record by Sonic Youth. I’d have no idea where to start- so I went to the start. It’s such a heavy record; it’s a record that has influenced so many. It is powerful, it is loud and it has Jim Sclavunos on drums. What more do you need? (She’s In A) Bad Mood is such a brilliant way to start the record. Jim’s drumming is so brutal; they all just move you in a way that you wouldn’t expect. There is nothing calming about the sound on this record- they just rile you up in a way that is mind-blowing.

I think it is possible the record that shows us all just how amazing Kim Gordon is. I mean, we know that anyway but Confusion Is Sex has some awesome moments that just leave you inspired by Kim. Shaking Hell is my favourite on this record; it’s so aggressive and really brutal. The louder you play this, the better. The way she yells “Shake off your flesh!” is so hypnotising.

The Velvet Underground-Loaded

Maybe I should have gone with their first record. Maybe. But, Loaded is my favourite and I remember buying my copy of this in Brussels and feeling like I had won the lottery. My copy doesn’t play as well as it should but that’s because I am always playing it. I love listening to it and allowing Velvet Underground to take me some place really magical. Rock & Roll is such a fantastic song, and you can’t help but think you’re the person Lou has written about. Lonesome Cowboy Bill is out of this world- it’s not like anything else.

Oh! Sweet Nuthin’ is up there as being one of the greatest songs of all time. It’s one of Lou’s best, easily. I’ve written about this record so many times, and I’m sure I have never done it justice.

Television-Marquee Moon

I cannot make this list without mentioning Television, and this record. Many have regarded it as one of the best records ever made, and they aren’t wrong. It is such a wonderfully created record. From the vocals to the production- it is so effortlessly great and really does have a slick sound that you know is from New York. Every song on Marquee Moon is so distinctive. You hear one note, and you immediately know that it is them. The intro to the title song is one of the most iconic ones of all time. It’s an intro that just stays with you. You immediately go back to the first time you heard it as soon as it comes on. It’s just a magnificent record that definitely does deserve its status as being one of the greatest records ever made.

The Strokes-Is This It

There are a number of records I could have picked. I could have gone with Foxy Brown, Mos Def, Interpol, Talking Heads, Big L- so many. Why did I stick with The Strokes when I could have picked someone else? Because this record holds a lot of importance to me. It’s got me through hell and back. It still does. I adore Julian. I love his words, his voice and just him. It’s a record I constantly go back to. I can play it and I immediately go back to my first time hearing it. I was 15 years old, being bullied at school. I’d play it every day. And every single day I would imagine I was hanging out with Julian in New York City eating pizza, going to record stores and going to shows. This record was my escape, and it still is. It captures New York and it captures what music means to me. So from a totally personal point of view, this record is New York. This record is important. Again, it is one that is still a massive influence to bands. They are all great musicians, and there will never be anything else quite like it- just like all the records I have mentioned.

 

Like I said, there are so many records that could have been named. This is just my personal take. Maybe it is wrong, maybe it is right. It’s just a point of view, like the 6Music one is. But I just find it hard to accept that so many great and influential records were missed off.

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FLOWERS OF EVIL: City Of Fear.

13 07 2017

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A couple years back, a super group formed in New York City. Flowers Of Evil erupted and tore up eardrums, and limbs alike. Made up of Young Boys lead guy, David and also Brandon and Charlie from Crocodiles it’s pretty obvious that Flowers Of Evil are going to end up putting one of the best records of the year, right? Their first release was brilliantly loud and pleasantly dangerous. Where have they headed with City Of Fear?

City Of Fear is a real Hardcore Punk record. It can easily stand up against the greats, and wouldn’t look out of place next to a Black Flag record. It’s got this effortless raw and brutal sound that so many try to perfect, but it just sounds overdone. Flowers Of Evil make it look so easy and they make it sound exactly like it should. This record is a collection of songs that need to be played in a sweaty dive bar with everyone yelling the words back at the band as David screams them in your face. There is this glorious urgency in the songs that makes you wish you could do this. The alternative is okay- playing it as loud as you can without a care in the world.

It’s nice to allow yourself to be exposed to gentle sounds but sometimes you just need something obnoxiously loud to satisfy what certain parts of you need. If I could, I’d go on about my favourite song on City Of Fear but it’s pretty tough to pick one. Each song comes in just under 2 and a half minutes- the perfect amount of time to get a point across. The lyrics on every song are extremely poignant, especially with how society can be and certain world leaders being absolute shitheads. You need an escape. Every day music is my escape. We’re all getting away from something.

David’s snarl on these songs is brilliant. He has this demeanour that comes through wonderfully on these songs, and it probably makes him on of the most underrated singers/frontman of our generation. City Of Fear is an excellent portrayal of the world we currently live in, and the way in which Flowers Of Evil have exposed it make it much easier to digest.

I know I said I couldn’t pick one particular song, but I’m really into Sedation Vacation. I love how furiously quick it is, and will just make you want to rip shit up. MAN also has David’s infamous snarl on it that like pretty much the whole record, again, will make you just want to destroy stuff.

Play the record loud and throw stuff out of your bedroom window. Unleash that fury you’re carrying around. I love the rage and beautifully deafening sounds on City Of Fear. It sounds real nice right after playing their first record. These 14 songs deserve to rule the rest of your year. The colossal sound on this record is something that just makes you want to pick up a guitar and make a mass amount of noise. Sure 14 songs don’t feel enough, but just go back to the start and let yourself get utterly immersed in the record all over again.

There’s really no point in trying to compare Flowers Of Evil or this record to anything or anyone, it’s totally pointless. The songs truly speak for themselves and must be played as loud as possible. They’re worth losing your hearing over.

You can buy City Of Evil via the Deranged Records bandcamp page: https://derangedrecords.bandcamp.com/album/city-of-fear





TALL JUAN: Olden Goldies.

3 05 2017

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For the past few years I have been obsessed with Far Rockaway resident, Tall Juan. I found his music by accident and it’s probably been one of the best musical finds of mine. I’ve seen him at every London show he’s done, and next month he’s playing The Lock Tavern again- for free!

On Friday, his full length debut record is coming out. I’ve been waiting for this record for so long, and I really cannot wait to go out and get myself a copy. Play it to death, and just keep buying it. His style is Ritchie Valens meets Joey Ramone. He’s everything I want from a musician, but his live shows are something else. Again, I cannot wait to see him next month and to see these new songs performed live. He has this hyperactivity to his music and he brings this so well to his live shows. You can’t help but think when you listen to him, that his music is the kind that really comes alive in a live setting. The kind of music that has a firm home in dingy venues where you leave covered in other people’s beer and sweat.

His record kicks off with a tighter version of I Don’t Know What To Do. This new version is just as great as the previous version.  I always felt from his music that they are the perfect songs to play when you need your mind to wander or if you’re wandering around doing nothing- his music is the perfect friend to bring along. His voice is so strong on his record, and I am just so happy for him. He seems to be doing a show every night, and he’s just one of the hardest working people I know.

From trading emails back and forth with him over the years, to seeing his first UK show and to now hearing his first record- I’m just so massively proud of him. Prior to Olden Goldies I’ve said that his music makes you feel like you are strolling around New York City in the late 70s trying to find something to do and before you know it- you’ve stumbled in on a Ramones show. He just takes you back and time and brings you back to now in such a beautiful way.

The record consists of 15 tracks that aren’t really longer than 3 and a half minutes. They all sound like perfect Punk songs to fit your mood. You can play them whilst you laze about at home, at beach, travelling to work, whilst you’re at work- anywhere, everywhere. You’ll find a home in these songs and you’ll find a best friend in Juan’s music and words. It’s hard to write about this record without going on about how proud I am of him, but I know how hard he works and how hard he has worked on this record, and it truly shows. He has a distinctive sound, and it’s a sound that comes right from the soul and is just nothing short of brilliant.

As I listen to the songs, I can easily pick out the ones he’s put in his live shows and to hear the final version of them is awesome. You get to hear the transition of the song and experience the finished product. Parecida A Vos is always my favourite song to see him do live because of the way he annihilates the ending. He unleashes something that makes everyone in the crowd go nuts, and we love him for it. The Olden Goldies version of It’s True sounds tougher than the first version. It’s produced here in such a clean way but still has that distinctive sound of his, it’s just so easy to love. The same goes with Why Not? Although I’ve heard the songs before, hearing them this way and on a full length record makes it all feel new again.

His cover of Mac De Marco’s Another Juan (original is Another One) and of course, Time Bomb by the Ramones are excellent moments on the record, and he makes you believe they are his songs. He makes them his own, and if you’re going to cover a song- making it your own is crucial. The record ends with Take Your Time, and this is easily the moment on the record where you stick your headphones on and play it a little louder than usual, just so you can pick up on the emotion in his voice. His voice is so good at projecting raw emotion and each song is played with this beautiful urgency.

I know I’ve said it before, but I’m just so proud of him and this record. It’s probably going to be my favourite record of the year. I have to be biased with this because I just bloody love him and I love this record. Every song is wonderful, the production is great and you can tell just how much time, work and effort has gone into making it.

Olden Goldies is out this Friday (5th May) on BUFU Records.





KRAUT.

17 12 2016

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Last week I went to my favourite record shop (in London.) It’s about 15 minutes from my work, so when I go I plan my dinner break carefully around it but I’d rather buy records than food anyway. Blasting in the shop was a sound that seemed familiar but unlike anything I had heard before. It was raw, loud and beautifully obnoxious. Sometimes at 12:30pm you need to hear something that feels like a smack to the face. Become totally enamoured by it.

I went to the record shop to pick up my uncle’s present, but I ended up buying something for myself also. It happens, I guess. But if it makes Christmas shopping easier- then so be it. The band that was being blasted out in the shop was Kraut. I’d never heard their music before, but as I was listening to them I could reel off the bands in my head that resembled them in some way. Kraut were one of the first hardcore bands and are responsible, quite possibly, for a lot of bands I love and listen to.

An Adjustment To Society was the record that I picked up last week, and for a week solid I have been playing it over and over. I play it irrespective of my mood. I’ve found every single song to be a real masterpiece and each song is you guessed it, a punch to the gut. The songs are deafening and full of an enviable fury that you wish you could unleash. We live vicariously through the bands and songs we love. However, the songs on An Adjustment To Society are equally as important now as they were in 1982. From disdain and despair felt towards to those in power and the way society is, never has a band like Kraut been so vital. What they started I feel is still being lived out by others bands, but Kraut started it. They were the blueprint- and are not to be tampered with.

Only one song on An Adjustment To Society creeps up to the 3 and a half minute mark, the rest make their point in a little over 2 minutes. Their sound didn’t require the urge to go on and on. All it required was the urge to be heard, and for anyone who listened to fully take on board what these guys where saying. Their songs were a middle finger to everything around them; they made their own rules and that is worth admiring. Also, as if being one of the first hardcore bands wasn’t enough- Kraut were also the first independent band to be played on MTV. That’s right, MTV used to play music videos rather than shitty TV programmes about who got drunk and got pregnant. It used to be the home of music videos. Not really sure what the M stands for now to be honest.

Not all great music must hold a message but a fair but of it does. With Kraut, what they stood for included everyone- mainly those who were pissed off at their circumstance, and I think that is something that is so apt for most of us right now. Their music was made to be played loud and to share daily frustrations to. The frustrations can come from what you see happening around you to an underlying frustration you carry inside your head to do with yourself. None of these frustrations are petty or less significant than anybody else’s. I may be entirely late in finding out about Kraut and I’m not going to act like I am their biggest fan ever, but I know this much- I know what they stood for, I know how important they were and still are. I know the best education I received came from record shops and not textbooks.

Everyone has their own take on what makes a band great or what makes a band important to them. It can come the lyrics, the sound and all in-between. Kraut had something else. They had something about them that just made your ears prick up and listen. They didn’t tame anything in the mind or body. They fuelled the rage towards all that was happening around them, and that just makes An Adjustment To Society as essential now as it was in ’82.





THE VELVET UNDERGROUND: The Velvet Underground

24 09 2016

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“If I could make the world as pure and strange as what I see,
I’d put you in the mirror,
I put in front of me.”

When I first started writing about music, I seemed to have one band on my mind all the time- The Velvet Underground, and it’s pretty obvious. They’ve been a band I have always fallen back on. A band that I listen to pretty much every single day. And if I’m not listening to them, I’m listening to Lou Reed. I think one of the dumbest things I’ve ever done was not go see him when he played back home, on the Isle of Man. Add that to a list of my poor decisions. I’ve made some good ones. I’ve made more good than bad. The Velvet Underground have always felt like a band that I couldn’t believe existed. What I mean by this is, I find it hard to believe a band so great could ever have been around. What on earth did we ever do to deserve such a perfect band?

I like to go through old records and write about them, there’s no reason behind it and sometimes I find it easier to do this than write about a current band. A few years ago I went and wrote about every single record by The Cure. Every single one. It was partly down to me not being able to sleep/scared to go to sleep and having nothing to do, but also because I love The Cure. I’ve covered The Velvet Underground and Lou Reed a lot, but I’ve never written about their 1969 self-titled release. It’s a Saturday night, I have a migraine that’s slowly fading- what else is there to do?

This record is my favourite by them. It always has been and if I ever sat down and listed my favourite records of all time, I am fairly sure that this would be in my top 5, probably top 3. I remember for a long time I was obsessed with playing Pale Blue Eyes. The person that it reminded me of didn’t have pale blue eyes. She’s got beautiful green eyes. But you find meaning wherever you can. It was a song I couldn’t listen to for a time, but then it all fixed and I was back to being obsessed with the song again. If I could sing and I was in a band, I’d cover this at every show. The lyrics are the kind I wish I could write, but nothing I or anyone else does can come close to it. It’s sad. Utterly sad but so beautiful.

Candy Says is another that holds a wealth of sadness, but the sadness it mixed with vulnerability. It’s a song that no matter what, I’ve always been able to relate to.  Regardless of how I am feeling, it’s just been a song that I’ve always gone back to and found a home in. it just says everything I probably don’t have the guts to say. I’ve always had a place reserved for this line, “What do you think I’d see if I could walk away from me?”  Nothing really matters when you listen to this song, or the whole record really.

This is a record that I have always played in order. What I usually do is play something in order the first few times, then after that it’s in whatever order I feel like. With this record I’ve always had to play it in the exact order from start to finish. There’s no reason behind it, but it doesn’t feel right I suppose, to play it any other way. It doesn’t just sum up my ideas of New York, but it sums up how I feel about music and what I look for in a record. I want something that has sort of smutty yet clever lyrics, something that’ll make me think, something that will be some form of escape and encouragement. A record that just takes me up and away. There’s no comedown from this record, and that’s why it is easily one of the greatest records of all time. It’s got this thing about it that I mentioned about The Velvet Underground in general, like you can’t believe something like this actually exists and you can hold this piece of perfection in your hands and have it echoing in your ears whenever you wish.

I don’t think there will ever come a time where Lou’s words aren’t important to me, and with this record I fell more in love with his song writing and his captivating way with words. I have no idea how much thought he ever put into how he put words together, but he always made it seem so effortless. They’re the ones that tower about the rest like Nick Cave, Patti Smith, and Morrissey. They’re the ones I’ve always gone to and will always go to. I don’t know how well this record was received when it came out and I’ve never really paid any attention to what anyone thinks of it now, but I just know that for me, it’s my favourite record by the band. I love how gentle it is and how tender the lyrics are. I’m Set Free is one of those songs you play when everything seems a bit uneasy and you have no idea what you’re supposed to do. It has this instant ethereal build up to it, and you can feel your heart race as it builds and builds. It’s a song that will make everything make more sense. It’s a solution to any problem. I’ll always advocate listening to The Velvet Underground as a solution to all problems.

Some records just stay with you. You may not remember when you first heard it, but the feeling you first got is always there. Every single time you go back to it is like hearing the band for the first time. I’ve always felt that way about The Velvet Underground. It’s a feeling that hits you in the stomach, takes over your mind and owns your heart.





WOMEN OF THE NIGHT.

21 07 2016

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Sometimes you just know a band is going to be great just by simply going on the name of their band. How could anyone not love the name Women Of The Night? Sure it’ll bring up some questionable and not so questionable results when searching for the name, but hey- put the safety search thing on if you’re a prude!

Women Of The Night are a decadent and beautifully sleazy band from New York. Think of Nick Cave meets New York Dolls. If your record collection looks even a little like mine, then you’ll probably love these guys. They’re for those days when it is too hot to do a thing, and you just want to laze about in your room with the window open-listening to the world go by at a pace you don’t ever want to be part of. Their songs are gentle in all the right places and they are powerful enough to make you want to dance in a manner that would probably get you arrested- which obviously is a good thing (to an extent, I know.)

Their first EVER release is Most Magazines and it sounds like everything I love and grew up with. From Lou Reed to The Modern Lovers- the influences are obvious to those who love this kind of music, but for those who flirt between genres (and that’s always the best way to be) it’s easy to pick up on different sounds such as early Bowie, maybe some hints of early Rolling Stones. There’s this gorgeous filth in Jords voice. It’s a typical 70s New York sound, and I think that’s why with first listen I just fell hopelessly and carelessly in love with their music. Sometimes I hear something, and it becomes pretty clear that I’m going to cherish it, and the band manage to capture everything I love about music. They capture everything I look for in music. Women Of The Night are one of those bands that just drag out this feeling, and it is always appreciated.

Most Magazines may only be 6 tracks (smack that repeat button when you’re done) but in those 6 tracks you get a real feel for their sound, and I think it is pretty apparent that they’re not a band that are going to keep making the same song over and over. You just know when you find something like that, and songs like Small Numbers which is wonderfully eerie just make you realise that this band are on to something. It’s like The Doors meets Rowland S. Howard. The songs are romantic and dark. And as someone who can only relate this side of romance, I can’t but feel that Women Of The Night are nothing short of perfect. They’re that band you find when you’re looking for something new, but you don’t know what you want. It’s like, trying to find something to eat and finding a great new pizza to try. Pizza and music. There’s always a solid comparison there. Always.

Sometimes when you hear a band, you can almost imagine in your head what their live shows would be like. Maybe that’s just me, mind. I always like to imagine their live shows in my head as I listen to them. I’ve got my own image in my mind of what Women Of The Night shows are like, and until I see it for myself one day, I’m keeping it etched there.

You can stream/purchase Most Magazines right here: https://womenofthenight.bandcamp.com/

Play it loud and seduce your neighbours.

 





POP.1280-Paradise

5 04 2016

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About two weeks or so ago Willis Earl Beal wrote something so important regarding music writers and how certain publications rating systems and the like are fucked, how they force feed readers to like what they like and expect them to hate them when they turn their back on them. What I’ve noticed is too many music writers are passionate about hating a band rather than praising one they love. It made me think about review records and if there’s really any point. I don’t review something in the hopes someone agrees with me, I do it because I hope someone goes and buys the record regardless of what I write. I could never ever write about a band or singer I didn’t like. I’ve been told by some place I was going to write for- they told me they never gave full marks for a review so I wasn’t allowed to praise something I loved too much. I pride myself on having better morals than being a semi-decent writer. Needless to say, I didn’t write for them. Which is probably why I’ll never make a living out of this. You accept it after nearly 10 years. So, with all of this said I’m going to write about why Pop.1280 have yet again released another mind-bending and mind-blowing record. I know of one other person who digs this band as much as I do(my uncle.)

Pop.1280 make music that is hard to stomach at times. When I first heard them I had this feeling that they would become something of an obsession. I loved how loud and frightening their sound was- and still is. Decades ago, kids used Punk to piss off their folks. I sincerely hope some kid is out there blasting out these guys to piss theirs off, and their neighbours. The thing that I love the most about Pop.1280 is that with every release, they get a little more terrifying. This is the kind of music you play when you want to scare someone shitless. Personally, I’d be tempted to use their music to try use it in a more romantic setting. Their music sounds like falling in love anyway- tormenting and chaotic. Have I been doing it wrong? No. My mind and god knows what else is wired differently. Paradise sounds like a nightmare, probably, to those who’ve never delved into this murky world that Pop.1280 have been building for years. It’s a world that makes you shudder, ache and think. Paradise just reinforces my love for them and if anything, has got me pretty excited for their London show in a few weeks.

9 songs in 39 minutes. 9 songs that are set to fry your brain, make your eyes go funny and make you question your surroundings. Something I’ve admired for some time about Pop.1280 is their ability to make you feel as if you’re trapped. Trapped in the hell of your own mind, in the midst of others- anywhere. They create this atmosphere that makes you feel as if you’re the last person left on Earth and everyone else has disappeared. It’s creepy. Really fucking creepy, and it isn’t for people who dream of sunshine and rainbows. I don’t know what kind of person latches onto a band like this. I have, and I guess you can draw up your own conclusion about it. I initially started writing about this record last week, but I stopped myself from writing because I realised quite quickly that this isn’t a record you casually listen to. I’ve taken it in. Or maybe this record has taken me in, chewed me up and spat me out. Do what you want, Pop.1280. This sinister feel to the record (and like their previous ones) has got me ready to see them live in a few weeks. I’ve never seen them before, and I’m really hoping it sounds equally terrifying live.

Phantom Freighter is the second track on the record, and in some ways it sounds like someone losing their mind. In general, Pop.1280 seem to capture the sound of madness really well. Phantom Freighter is a tension-filled track that makes your heart beat quicker than it probably should. It keeps you on edge, and I think that’s pretty much a solid for Pop.1280’s music overall.

Paradise will make you delve into some dark and lonesome emotions, and that’s perfectly fine. You shouldn’t always feel comfortable or secure when listening to music. Nobody should want predictable. For me, the fact that a band like Pop.1280 exist and can still make people feel a little uneasy like The Birthday Party did gives me hope. Not sure what kind of hope, mind. I’m pretty sure Paradise justifies why Pop.1280 are one of the best bands on Sacred Bones (pretty much all bands/musicians on that label are great) but it also shows why they are one of the best bands around. They’ve still got that raw and unpredictable sound that was on The Horror and Imps Of Perversion, and I think it is something that they will always be able to really put into their sound.

Sometimes you don’t need the news or a horror film to scare you shitless- just listen to Pop.1280 if you want some kind of kick.