6 Years.

21 02 2014

“If you ever get lonely, just got to the record store and visit your friends.”

Six years ago in a classroom at University I set up this blog as part of an Online Journalism module I had to take. As someone who cares far too much about writing and music, I decided to keep at this for longer than I probably should have. There have been times where I am supposed to have done something “important” but decided to write about a band instead. I’ll always do that, and I don’t see anything wrong with it.

Over the past six years I have done the ridiculous (met Patti Smith) and the relatively sane (standard record reviews.) I don’t find writing about music I love exhausting, but Writer’s Block can sometimes smack me in the face leaving me feeling entirely frustrated and annoyed with my abilities, or in that case- a lack of. Everyone has something that they truly care about, something that forces them to wake up in the morning and to keep going.

I decided to keep this blog up because I was annoyed with typical Music Journalists who seem to enjoy slagging off bands in their writing. Sure I dislike boring bands such as Coldplay, Mumford & Sons and the dull sounds of that guy with the poor quiff, Bastille but I’m not going to waste my time writing a thousand words as to why I dislike them. I’d rather write about a band/singer/song/record that has truly moved me because it makes me feel like I’ve done something worthwhile I guess. My words won’t change the world, they won’t make someone else go out and buy a record and they won’t make a band I love become huge. They’re just words. Words some will skim over. Words that may not go read. Words that most won’t agree with. But seeking approval is the worst thing a person can do to themselves because they will lose sight of who they are.

Maybe I’ve got another year in this or maybe I’ll be 90 years old dribbling on the keyboard writing about “that time I saw….” I have no idea. All I know is that you cannot put a price on doing what you love. I’ve never received money for writing about a band.

I wish I could name every single band that has sent me their music, but I can’t. I’ve got a rubbish memory, but everything I’m sent gets written about.

However, I would like to specially thank the following for being exceptionally generous with their music and time:

-Royal Chant

-Savage Sister

-Soft Power Records

-Nita Keeler

-Little Death Machine

-Autumns

-Hana Piranha

-Birdeatsbaby

-The #1s

-The Creeping Ivies

-L.A Witch

-The Long Wives

There’s many more, but as I’ve mentioned I don’t really have the best memory.

Any email or comment left about anything I’ve written means a hell of a lot. I remember when I posted my Warpaint interview and reading the emails I got sent-I felt proud and that maybe someone got the point I was trying to make.

Thank you! xx

The Smiths debut record came out 30 years ago. There’s no other reason really.

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RECORDS OF 2013.

21 12 2013

I thought I had 10 solid records to list as my favourite this year. My utter favourite has not changed; that was the only one I was 100% sure on. I change my mind a lot, about most things. What I like today, I may dislike tomorrow. Or in 10 minutes. It keeps things interesting to an extent, then it just gets confusing. I don’t like order or structure. Music is my favourite sound. People bragging about how much they drank the night before is my least favourite. If only there was a mute button for conversation.

With it being close to the end of the year, everyone thinks their opinion is better than other people’s when talking about their favourite record, songs, books etc of the year that has passed. My opinion isn’t made for counting or even worth acknowledging. To the one person who’ll read this; I hope you own at least one of the records I mention here. Of course, you don’t have to own it but you know..buy yourself something nice. Anyway. This isn’t in order, but the last record I mention is my favourite of the year.

Dirty Beaches- Love Is The Devil/Drifters. Anything Alex does always blows me away. He’s someone who, when you listen to his music, you can tell is truly in an untouchable zone when he makes music. You can sense that nothing distracted him in the process, and when you listen to his music nothing distracts you from that intimate moment you have listening to his music. To an extent music is pretty voyeuristic. We are listening in on other people’s thoughts and feelings. They know someone is listening; they just don’t know who. I’ve read vile criticism of this record from those who wanted Badlands part 2. It’s rally unfair to Alex because he’s one of the most passionate musicians out there; and to assume he’s going to make the same record over and over is just wrong. Same goes for many more, I know. But Alex’s music just stands out. I finally got to see him live this year, and watching him felt like you were witnessing someone unleash every demon that their body posses. It was a truly beautiful show. I interviewed him, and although it was done via email I could easily sense just how much music means to him. He’s not someone who’s had success come easy to him, and that hunger is firmly within him to keep making music. When I heard the song, Love Is The Devil it just broke my heart because it had this raw beauty to it, but pain also. It was overwhelming at times to listen to this record because of the rawness of it. The honesty in this record just makes you proud to be a fan of his music. Alex’s music makes you want to everything behind and fall in love with a gloomy European city that has history of romantic and haunting literature, with locals telling stories in dingy cafes.

Ezra Furman- Day Of The Dog. The hot pink cover did it for me. Ezra is an incredible song-writer; Day Of The Dog showcases this better than before. The songs are full of lust, self-doubt, hate (directed at the self and others) and is done in a way that doesn’t seem like it is self-pitying bullshit. So far from it. The philosophical lyrics with the delightful sax playing just makes this record a pleasure to listen to. For me, Tell ‘Em All To Go To Hell is a brilliant “fuck you” and is the perfect soundtrack to those pissed off moods we are all prone to. Ezra has this way of touching on dark subjects in a way that disguises just how dark the feeling is. It’s the kind of music you speed off into the sunset too, where night-time is all you crave. His song-writing skills are enviable. He’s not afraid to pour his heart out for all to hear; for me that’s what makes this record wonderful.

Deptford Goth- Life After Defo. For the most part, what I listen to is some kind of take on Garage rock. However, sometimes something in music happens and I just fall for it. I have no idea what genre Deptford Goth’s music falls into. I don’t really care. There’s only two kinds of music for me- music I listen to and music I don’t listen to. Why waste your time on pointless sub-genres that feed those pretentious idiots out there. Deptford Goth’s debut record is one I have played constantly on train/tube journeys as everything is dark and the odd flickering street-light is all I see. I’ve walked country roads listening to this when I was living at my mum’s- when the evenings were light. His music fits the night-time perfectly. His gentle voice makes you feel as if you have something like a best friend walking with you to guide you through anything and everything. This is the kind of music that just stays locked in the heart. I’ve tried listening to Life After Defo when it is light out, but when you start to feel tired when on a long journey as the day fades- his music becomes so apt. I advise getting on a train just as it’s getting dark, head into your nearest city and walk around listening to this record. It just makes everything feel alright and secure.

SISU-Blood Tears. Fronted by Dum Dum Girls’ drummer Sandra (she’s also the best drummer I’ve ever seen live) SISU make hypnotic music to lose your mind to. Blood Tears has an eerie feel to it, as if it should be in some insanely fucked up horror film. Th best songs usually have this feel to them don’t they. Yet Sandra’s delicate voice makes you feel at ease. It’s the kind of record you play when the sky is covered in a haunting mist; the sounds will direct you where you want to go. You get lost in the beautiful moments that Blood Tears creates. Blood Tears posses this attitude that makes you think you can pretty much take anything and anyone on. Think, Garbage’s debut record- that kind of powerful. Dominant but not obnoxious in the slightest. It’s a powerful record that pretty much merges everything I love and adore about music.

PINS-Girls Like Us. Debut record of the year; no questions about it. This ferocious and dark debut record from the finest band in Manchester is one I’ve been playing on constant repeat since it came out. Every song is addictive. My love for PINS started last year when I heard the anthemic LuvU4Lyf. If you’ve seen PINS live, you will know just how pleasurable this song is to witness live. It is like a battle cry for hearts that are full of love; all bouts of lust have faded, and it has become something tougher. Speaking of tough, Girls Like Us has a gang-like feel to it. All too often I’ve seen PINS be described as a “girl band.” If only people defined music by what it sounds like rather than the gender of those making it. PINS are pretty much the most exciting band in the UK and I honestly cannot praise this record enough. It is, in my mind, a debut masterpiece. I’m so excited about how their sound is going to grow; I just bloody adore them. You get that, right?!

POP. 1280-Imps Of Perversion. The only person I know who really loves this band aside from myself is my uncle. We both share a mutual love for all things weird and loud. POP.1280 are one of the best bands on the brilliant Sacred Bones label. You see, Sacred Bones have never released a shit record. Some labels do have questionable moments; but Sacred Bones do take risks, and they do it in a way that means the listener is going to experience some of the best music imaginable. By no means are POP.1280 easy to listen to. This isn’t a record to woo a lover to or to play to your Gran at a family gathering. Oh no. Imps Of Perversion is a collective of perverse songs that you should play in your bedroom as loud as you want to. Feel as free as you want. Let the music fuck you up and over. It’ll go through your bones, smash your skull and leave you wondering why this isn’t played on commercial radio. Let them have your noise; you’ve got your own. Imps Of Perversion is as noisy and as brutal as it gets. This is one record I’d love to have witnessed the recording process for. It is brilliantly weird and wired.

The Long Wives- A Collection Of Demonstrations And Demons. I’ve been writing about Brandy for some time now, and since accidentally finding her music there’s not been a day where I’ve not listened to her haunting voice. Her voice is scary and powerful. Her songs show that she is one of the best song-writers around; the way she tells stories enables you to feel the fury she feels in her songs. This is her debut record, but it’s pretty much a collection of old songs and demos on there. It does have my favourite, Judas Hex on. It’s one of my favourite songs by Brandy, but to pin point what it is that I love about her music would take an eternity; I simply cannot justify my love for her music. If I ever had the money and was okay with being on a plane for 8 hours, I’d fly to LA and hang out with her in a graveyard and discuss life in general with her. She’s like a stripped back version of Zola Jesus; by this I mean her music makes you think. And I mean REALLY think about everything around you. Her music to me, is romantic and can cure the heart of any illness that is surrounding it. Her lyrics are vulnerable and the way she sings is just breathtaking. She’s an inspiration for sure.

Willis Earl Beal- Nobody Knows. From one musical genius to another; Willis is the man who is putting some much-needed soul into music right now. He appeals to the loner in me, which as I get older, becomes more and more obvious. I like my own company more than I used to, which  guess is an adjustment to getting older. I hate being in large groups of people, I just really hate it. Willis’ voice has a lot of soul to it, and his debut record had a lot of pain surrounding it. Read his background story, and you’ll see why. Nobody Knows has bouts of hope and strength in it. His song with the gorgeous Chan Marshall (Cat Power) just makes you feel as if everything is going to be alright again. It also makes you want them to make a full length record together. Followed by a tour is dingy, intimate venues. I can picture it now. Perfectly. Nobody Knows is the perfect middle finger to those who think most fall victim to that “second record” beast. It is obvious for the most part that it is a myth. Willis stamps all over it. His voice is extremely powerful; just look up videos of him singing without any music and you’ll quickly realise that he’s one of the greatest.

Savage Sister-Savage Sister. Savage Sister; with a name like that you’d think they’d be making menacing goth style music. They’re pretty much the opposite of that. They’re as gentle as Youth Lagoon, Beach House and Tamaryn combined. Basically, they are ideal. Their dream-like debut release is just ethereal from start to finish. Of course it is like you are floating amongst the clouds with your eyes shut as everything just passes you by. You don’t need to take notice of anything around you, because with this record, Savage Sister create moments for you that stay lodged in your brain and etched upon your heart forever. This debut release was one I’d been hugely excited for last year, and when I was emailed a copy I was so excited to finally hear it. There is something magical about this band; and they are much more than a sacred listen. Everyone should listen to them because they could possibly be the soundtrack to those memorable moments in your life. Savage Sister make music to float away and dream to. Listen and dream away.

CROCODILES- CRIMES OF PASSION. So this was pretty much an easy one. It was my record of the year before it was released; before I even heard it. I just knew it was going to blow my mind. I heard it a few months before it came out, and I was trembling with excitement as I listened to it. I get the same excitement now when I listen to it. I notice something different about each song with every listen. I initially thought I could pick one song that I loved the most, but I realised this wasn’t going to happen for me. I love She Splits Me Up but I love the lyrics to I Like It In The Dark (“I don’t have the time for a graveyard of the mind that they call shame.”) But I adore the whole romantic feel throughout the record. I was beyond excited to finally meet the band in the summer and to be able to see them live a couple of times; when I interviewed them about this record, I started picking up on different things about it. Songs that influenced by poets such as Baudelaire to Patti Smith. I’ve loved Crocodiles since the start and to hear them go from the likes of Neon Jesus to Marquis De Sade is just amazing. Live they are on a different level. Their fans really feel the music, and know they are part of something unruly and unconventional; that’s why I love them. If I was in a band, I’d want to have the same approach to music as Crocodiles do. There are so many reasons as to why Crimes Of Passion is my record of the year; but for the most part, the meanings are sentimental and close to my heart. VIVA CROCODILES!

In





Bands I Fell In Love With In 2013.

13 12 2013

I had a lot of bands in mind with this, but there was one person in particular I was excited to write about here with pure respect and admiration. I read this evening that this person, The Child Of Lov had died. I’m a sentimental person, and for the most part I think it probably does more harm than good. The heart is still torn over Lou Reed’s passing; that’s something I don’t think I’ll ever get my head around. Anyway, this is dedicated t0 The Child Of Lov- with love and honesty, this one is for him.

There have been so many bands and singers that truly blew my mind this year. I don’t like to listen to one style of music, I find that to be pretty dull. I’ve never enjoyed the company of anyone who just listens to one kind of music. Yes my heart is in Punk, but I’m open to all kinds of music (aside from dance, I don’t enjoy dance music.)

I’ve attempted to shorten this to 10 bands/singers that really meant something to me this year. Some I found accidentally, and some found me. You’d have to ask them if it was an accident or not.

VIRALS- I saw them live twice this year, both times supporting Crocodiles. Shaun is an excellent frontman. He doesn’t speak much to the crowd, and I like that. I’m not one for bands talking a lot to the crowd, I’m not really sure why. Virals are a brilliant band who just have this massive thrashing feel to their sound. Their sound is the harsher side of summer. The side where you’re bored with everything and you roam the streets kicking other people’s rubbish along the way as you walk somewhere. Anywhere. So long as it is away from where you are. They were an absolute joy to watch live, one of the few bands that you just couldn’t get tired of watching.

Mikey & The Drags- I adore Garage Rock. I love how for me, it has that same brutality and passion as Punk had. Mikey & The Drags captivate everything that Garage Rock means to me. Their sensual grooves and a bite to their sound that just makes them tower above the rest, they make you wish you were in a band. In my dreams I am, ha. For me, this band are enough to make anyone who doubts the current state of music a firm believer again. Their songs are short (think Ramones) and make you want to thrash your body about- into walls, into people, deep into the music. They’re a band that need to be played louder than most just so they can set your body free.

Frank’s Daughter- Reinforcing my love for duos, Frank’s Daughter are spectacular. They formed in Brooklyn over whisky and wine, so it is no surprise that they were destined to make gorgeous music. Frank’s Daughter make music that is full of nostalgia, but not wanting to hold onto the past. They make you recall certain life events with a small grin on your face- content with moving on in your life and as a person. It is like they are guiding you through, holding your hand through it all when everyone and everything else has turned its back on you.

Savage Sister- I think I first wrote about them this year? All I know is that I adore their ethereal sound that glows in bands such as Tamaryn and Beach House. Savage Sister are that band you play late at night with the lights off. It doesn’t matter what is floating around your head- they just make it alright. Their name may sound a bit aggressive but their sound is anything but. They calm the soul in ways nothing else has really come close to. Savage Sister make music that is the soundtrack to those pleasant dreams that you never want to end. You could live in your head if you want; that way the dreams will never end.

Ancient Times- One guy making his own kind of noise. Another exceptional talent on the exquisite Soft Power Records. This Brighton wonder-kid is truly making his own scene, leaving a trail of baffled yet mesmerised listeners in his path. I likened George’s vocals to Morrissey’s this year when I wrote about him. I guess this would put small-minded buffoons off him, but I’m sure there are more that are attracted to this, fortunately! His vulnerable voice is what did it for me. When you can hear every word sung with pure emotion, that’s when you know you have found something truly special. Again, I hope 2014 is just as good to him as 2013 has been. He really does deserve it.

Roses- Another band from LA that cause me to occasionally be bored with England are Roses. However, Roses have that 80s Manchester feel to their music. Romance mixed with cynicism, best way to be at times. Maybe most of the time. When I listen to them, I try to figure out why I love them, but I just can’t. I think that’s part of why I love them. Roses have something about them that just makes you want to keep on listening. They make you forget all the bands you are currently into, and you just cast all your attention over to them. Although they are from LA, they don’t posses a “typical” LA sound, and for me, I think is part of the attraction. Roses are a band I’m excited to hear more from next year and beyond.

Girl Tears- Again, another excellent band from the Westcoast that blew my mind this year. I said they sounded like the Ramones and The Cramps having it off with each other. I still stand by that. They smack you in the face with their rambunctious and infectious sound, whilst freaking you out at the same time. Some bands try to do this, but they seem to be lacking something. I don’t know what, I just write about music I love. I stay away from music I don’t like. There’s no point wasting thousands of words on something I don’t like. Girl Tears aren’t afraid to be different, and their sound is so natural and bold. They make you want to throw stuff about. Throw your limbs about if you want, just to be safe. Yeah they are brutal but in a way that isn’t too “shocking.” They’re just a loud band that are extremely talented. Easily one of my favourites this year, no doubt.

The #1s- Playing with a sense of urgency that makes the listeners ears prick up immediately, The #1s are an exceptional band who are just a joy to listen to. When you listen to them, you straight away pick up on just how exciting they must be to see live. Their songs are fast and punchy. Hit repeat so it never ends; creating new moments each time. You scream the words back them until you feel your throat is beaten and scratched. They make music that is easy to relate to- for all those everyday frustrations that you just need to pour out of yourself; The #1s do it for you in a way you wish you could. Maybe one day you will, but for now you’ve got bands like this doing it for you. But hey, one day we must stop being lazy with our emotions.

Woman’s Hour- With all the brutal sounds I seem to enjoy listening to, I must balance it out. Woman’s Hour are another exciting band on Luv Luv Luv Records (listen to Only Real- he’s exceptional too.)Woman’s Hour are an exceptionally delicate band. They are fragile with their words and sounds. They carefully craft music that can break and mend the heart. They of course, do something to the soul too. Fiona’s voice is like Jessie Ware met Sade and went into the afterlife to bring Aaliyah back to us. Everything about them is so precious, and I think it is obvious that 2014 is going to be very good to them.

The Child Of Lov-  It’s hard to write about someone who’s music really blew you away, only to find out you’ll never hear anything from them again. The Child Of Lov made music to loosen your limbs to. He had that genius quality to his music that is found in the likes of Burial, Jai Paul and Kindness. He was just a joy to listen to. It’s hard to get your head around something like this. I listen to Fly, and it’s hard to imagine that nothing like this is going to come from him again. Of course what we have is beautiful, and of course notion of what could have been does come kicking in. We’ve got the music. It may only be one record, but it was one record that truly blew my mind this year. He had an alluring mystery to his music. You were (and still are) left with a sense of wonder and thousands of questions when you listen to his music. Obviously other questions now arise, but like I said- at least we have the music. He’s at peace now, and I guess that’s something we can take comfort in.





SAVAGE SISTER-Savage Sister.

25 07 2013

 

 

My neigbour has his TV on loud. Not even my Grandma has her TV on this loud and she doesn’t have fantastic hearing. Whatever. I’ve found something to play loud enough to not just drown him out, but the world too.

I wrote about a band called Savage Sister this year. I likened their style to a band called Tamaryn. You don’t have to know me on a personal level to know that this is the kind of music which I generally swayed towards. Savage Sister have a menacing name, but their sound is anything but that. Their music soothes and relaxes you. Even if you have a dickish neighbour and a car alarm across the street that keeps going off. It’s nothing because I’m listening to a blissed out and hazy masterpiece.

Savage Sister have created a record that is made for sacred listening. Don’t play it at parties because there will always be that obnoxious ass who will slate it and not understand it. Play it when you are alone, as the sun sinks down. Which is what I’m doing now. I’m playing it louder than I normally would because of the twit downstairs; regardless of the volume you play it at- it is so easy to hear just how beautiful this record it, and you can tell it was carefully crafted.

The best kind of music is made out of love and with no fear to go beyond what is familiar, and also what is expected. To make something that is typical may make you a bore. To make something that lacks passion doesn’t make you believable. You cannot connect to things that mean nothing to you. It’s why we fall in love with the right person, eventually. Everything has been wrong, and the right thing just appears. Music works like this also. I was going to try link it in, but I’ve missed a trick there.

Bands like Savage Sister make you want to create music. I have no musical talent, the only thing I can do is write about music that I love. But they make me wish I had some talent. I love the way that, on their record they manage to mix tranquility with the dark sounds found in Shoegaze. They’ve taken everything I love about music and made it into their own. It is inspiring and it is so beautiful.

The way you feel when you hear certain bands for the first time just stays with you forever, it becomes a memory that you find yourself going back to over and over when you listen to new music- just waiting for that feeling. When it doesn’t come it is so disappointing, but when you experience that feeling then it is truly one of the most moving things ever.

I cannot help but write with such passion and admiration for Savage Sister. To put it simply I do it because I know they make music that comes from a place not many go to and they make music with such passion. To write about them with anything but wouldn’t make any sense.

I cannot compare the songs off the self-titled record to anything, but I can compare the feeling I get when I listen to it to a record that means the world to me. I nearly set my kitchen on fire when I played Stridulum II by Zola Jesus a few years ago when it came out; my attention was anywhere but where I was. I was being exposed to something truly beautiful, and it wasn’t as harsh (but still amazing) as The Spoils. It was dark and heavenly. I found something I knew that would last in her music; the same has happened with Savage Sister. But I’m sat down watching the sunset (and writing this of course) as I listen to Savage Sister. This is my definition of bliss.

Normally I would mention certain songs and talk about how stunning they are. I can’t do that with this record as each song just flows perfectly into the other. Everything feels in place and as if it should be there. There is nothing worse than listening to a record that is 60% filler. Savage Sister’s record is a story to the soul. Each song links perfectly into the other. They make you feel like you are on a spiritual journey. It doesn’t matter where you are going and sometimes it doesn’t even matter how you get there. All you need to know is that you will get there.

The dark sound that breezes through the record and the haunting vocals are just magnificent and they just make you feel as if you are in a trance. The daze they place you in is one that you hope you don’t snap out of any time soon. They have this force in their music that is so delicate yet it is strong enough to lure you in, and to just keep you there.

If you feel you are missing something in your life, chances are it could be Savage Sister. If it isn’t, well you’re missing out. All I know is that they are the kind of band I wouldn’t just listen to at 4am when no one is awake and slumber missed me out again. I could (and do) listen to them at any time. They are the perfect soundtrack to everyday life, but to just have them on in the background would be senseless as sooner or later- they will stop you in your tracks and you’ll be left in awe of what you are hearing.

I think I have listened to more new music this year so far than I did last year, and Savage Sister will be one of the few bands I keep close to my heart this year. They offer more than is expected from a band in their music, which is why they are perfect to turn to for guidance or just to feel a sense of comfort. Last year it was Tamaryn that did it. I didn’t just listen to their music- I read their lyrics and used it as some kind of guidance. If a band can’t guide you, then who can.

You can listen to and purchase Savage Sister’s record from their bandcamp page: http://savagesister.bandcamp.com/

The sun’s gone down now, and the record has finished. A perfect ending to a perfect record. And they say perfection doesn’t exist! Fools.





SAVAGE SISTER.

9 05 2013

 

Amidst my daily emails of job rejections and doctors in Ghana asking me to transfer money to them (it’s spam, I don’t have ties to any doctors) I was sent something I actually wanted to read. Another band has got in touch; every time this happens I question why me they ask. I’m just someone who really loves music and writes as a fan. I think I answered my own question there. Anyway, moving on.

Savage Sister are like that dream you once had and continuously try force yourself to have again and again. You force yourself to remember certain parts as you are drifting in and out of sleep. Their dreamy vibe will appeal to those who adore the likes of Tamaryn. They just make music that is so pure and entirely perfect for the soul. You could listen to Savage Sister, and be having the worst day imaginable but there is something about this duo that just fills your bones up with so much hope. We need more music to do this. I guess this is why you could regard listening to the likes of Savage Sister as a sacred experience.

I know people who find new music and daren’t share it with others- as if they own the band. What a silly way to be. You see, as I listen to Savage Sister, whilst it remains feeling quite sacred, I truly want others to listen to them and feel the same way I do. Michael and Chloe make music that just fills you up with such positive energy and so much love. They sway your body so gently (in a Warpaint kind of way) and soothe your soul. Their music comes from a place that is pure and heavenly; I cannot thank them enough for emailing me.

They have a light take on the Shoegaze style; meaning they aren’t too heavy and the bass doesn’t rupture your eardrums. They mix it with a generous dose of dreamy vocals and enlightening guitar strums. They honestly take you to some place wonderfully magical. I remember when I first heard Tamaryn and Warpaint; I continuously searched for that feeling ever since. In this case, it found me.

The glorious Tiger Lamp (which you can listen to here: http://savagesister.bandcamp.com/track/tiger-lamp-2) is a song you should play as the sun goes down, and you are left alone with nothing but whatever is going on in your head. It projects clarity back into your life and gently guides you where you need to go. Tiger Lamp is everything I love about music. I simply cannot put it into words, all I know is that I feel a sheer sense of joy as I listen to Savage Sister’s music.

The Chicago based duo are set to release their debut record in June, and going by what I have heard so far I think it is going to be one of the best things to happen this year. Favourite new duo? For sure. If I was musically inclined, this is the kind of music I’d make. I love how they place the listener in a dream-like state. Sometimes it is the best way to be. The vocals conjure up a trance-like being. To find fault in them would be entirely foolish, as would ignoring them. A glorious band who evidently make music from the heart and with so much soul.